composer

Boogman, Willem

Willem Boogman was born in 1955 and grew up near the IJssel river (Netherlands). He studied Philosophy at the University of Utrecht (1974-1975). He started study in composition at the ...

related works

Le parole : per soprano e piano/percussione, 1989-1991 / parole di Exsilio~, Willem Boogman

Genre: Vocal music
Subgenre: Voice and piano; Electronics and singing voice(s) with or without instrument(s)
Instruments: sopr pf(perc) electronics

Encounter : for a recorder solo, (1973) / Walter Hekster

Genre: Chamber music
Subgenre: Recorder
Instruments: rec

Thema met variaties : voor twee blokfluiten, lente 1957 / Reine Colaço Osorio-Swaab

Genre: Chamber music
Subgenre: Recorder; Bamboo Flute
Instruments: 2rec-s / 2rec-t

Second Nature : for alto recorder / Rieteke Hölscher

Genre: Chamber music
Subgenre: Recorder
Instruments: rec

 

composition

Genieting III : for tenor recorder, 2004 / Willem Boogman

Publisher: Amsterdam: Donemus, cop. 2006
Publisher's number: 11353
Genre: Chamber music
Subgenre: Recorder
Instruments: rec-t
Remarks: Met voorw. in het Nederlands en Engels. - In opdracht van het Fonds voor de Scheppende Toonkunst. - Op verzoek van en opgedragen aan Katja Blischke. - Tijdsduur: ca. 14' (variabel)
Duration: 14'00"
Number of players: 1
Year of composition: 2004
Status: fully digitized (real-time delivery)

Description:
Program note (English): 'La jouissance est un retrait en soi, une involution, ... une exaltation vibrante où le soi se lève.' (Emmanuel Levinas: 'Totalité et Infini', La Haye, 1974, p. 91). This work is the third in a series of solo compositions entitled Genieting (pleasure, enjoyment), the translation of the French jouissance used by the philosopher Emmanuel Levinas. I interpreted this term not only in the sense of what it means to be a soloist but also as the kind of music the soloist plays. In Genieting the music is brought back to its constituent elements, whence it is built up once again . - WILLEM BOOGMAN (transl. Jonathan Reeder)

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