related works
Red, white and blues : Dutch new blues pieces, for piano, volume 1
Genre:
Chamber music
Subgenre:
Piano
Scoring:
pf
Rondo festoso : voor orkest, op. 57, 1956 / Marius Flothuis
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 2fl 2ob 2cl fg fg(cfg) 4h 3trp 3trb timp perc str
Memento '45 : (ter herinnering aan de gevallenen van het verzet), orchestra, (1945) / Jaap Geraedts
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2333 4331 timp perc cel hp org str
Memoryscape : for ensemble and soundtrack / Yannis Kyriakides
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl/pic/a-fl ob cl fg trp trb h tb pf perc 2vl vla vc cb tape
composition
Postnuclear Winterscenario No. 12 : for orchestra / JacobTV - Jacob Ter Veldhuis
Other authors:
Veldhuis, Jacob ter
(Composer)
Description:
On January 23 1991, shortly after the Gulf War broke out, I felt speechless and unable to compose. In the media, meteorologists predicted apocalyptical consequences for the climate and the environment, similar to the effects of a nuclear war. In the New York Times they called it a ‘postnuclear winterscenario’.
I then decided to express my speechlessness in music. In just a few hours time, Postnuclear Winterscenario for solo piano was written, probably the most simple score I ever wrote. All musical material was reduced to a minimum. The 'melody' consists of one single note, an E, that is repeated endlessly. The harmonic accompaniment consists of only four different notes: B, A, G, F#.
There are no rhythmical, melodical or harmonical developments. The main way of expression is in the repetition and the delivery.
Postnuclear Winterscenario No.1 - as we call it now - was performed numerous times worldwide by Kees Wieringa, even in Iraq, on the ruins of Babylon. Soon musicians asked me to arrange the work for their instruments and so I wrote versions for string quartet (my string quartet no.2), for choir, for percussion, for one and two electric guitars, for saxophone quartet, for string orchestra and finally in 2005 for symphony orchestra. Each scenario is a bit different, but they all have the same mood in common: speechlessness about war and devastation.