composer

Hirs, Rozalie

General: Rozalie Hirs is a contemporary Dutch composer and a poet. She was born on April 7, 1965, in Gouda, The Netherlands. Education: Hirs holds a Doctor of Music Arts ...

related works

Platonic ID : for chamber orchestra or ensemble / Rozalie Hirs

Genre: Orchestra
Subgenre: Large ensemble (12 or more players); Orchestra
Instruments: pic fl cl cl-b(cl) pf4h 2vl 2vla 2vc cb or pic fl cl cl-b(cl) pf4h str

Suggestion : for orchestra / Julia Tsenova

Genre: Orchestra
Subgenre: Orchestra
Instruments: picc 2fl 2ob 3cl cl-b 2fg cfg sax-a sax-t 4h 3trp 3trb tb timp perc hp synth pf 6db

When Love Comes Knocking : Version for orchestra / Chiel Meijering

Genre: Orchestra
Subgenre: Orchestra
Instruments: picc fl 2ob 2cl 2fg 2trp 2trb perc str

Apart met Katja : for ensemble / Chiel Meijering

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: 2fl cl 2sax 2h trp 2trb tb perc pf el-g el-b

 

composition

Platonic ID : for chamber orchestra or ensemble / Rozalie Hirs

Publisher: Amsterdam: Donemus, cop. 2006
Publisher's number: 11187
Genre: Orchestra
Subgenre: Large ensemble (12 or more players); Orchestra
Instruments: pic fl cl cl-b(cl) pf4h 2vl 2vla 2vc cb or pic fl cl cl-b(cl) pf4h str
Remarks: In opdracht van het ASKO|Schönberg en het Fonds Podiumkunsten (voorheen Fonds voor de Scheppende Toonkunst) - In memoriam Jonathan Kramer. - Herz. versie geschreven voor Prague Philharmonia - Tijdsduur: ca. 17'
Duration: 17'00"
Number of players: 12
Status: fully digitized (real-time delivery)

Description:
Program note (English): [Première revised version: March 19, 2006 - Dvorak Hall, Prague - Prague Radio Symphony Orchestra, Ronald Zollman cond.] - Platonic ID concerns itself with the World Soul of Plato. Its identity can be understood as a harmonic series with partial numbers 1, 2, 3, 4, 8, 9 and 27. The harmonic world of Platonic ID consists of a sounding of this (filtered) overtone series and its corresponding undertone series, based on several different fundamentals. Further materials derive from harmonic relations between sounding harmonics and their respective fingerings on strings of different lengths. - ROZALIE HIRS

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