composer

Hirs, Rozalie

Rozalie Hirs is a contemporary Dutch composer and a poet. She was born on April 7, 1965, in Gouda, The Netherlands. Education: Hirs holds a Doctor of Music Arts degree ...

related works

Book of mirrors : for 19 instruments / Rozalie Hirs, 2001

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: fl ob cl fg h trp trb 2perc el.g hp pf 2vl 2vla 2vc cb

Caprice 4-1 : voor symfonieorkest, 1978 / Benjamin Ashkenazy

Genre: Orchestra
Subgenre: Orchestra
Instruments: 2222 sax-a 4330 timp perc str(12.12.10.10.8.)

Musica per orchestra : 1965-'66 / Kees van Baaren

Genre: Orchestra
Subgenre: Orchestra
Instruments: fl fl(pic) fl-a 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp 3perc vibr mar cel pf hp str

Scenes de ballet : for orchestra, 1994 / Kees Olthuis

Genre: Orchestra
Subgenre: Orchestra
Instruments: 3332 3220 timp 2perc str

 

composition

Platonic ID : for chamber orchestra or ensemble / Rozalie Hirs

Publisher: Amsterdam: Donemus, cop. 2006
Publisher's number: 11187
Genre: Orchestra
Subgenre: Large ensemble (12 or more players); Orchestra
Instruments: pic fl cl cl-b(cl) pf4h 2vl 2vla 2vc cb or pic fl cl cl-b(cl) pf4h str
Remarks: In opdracht van het ASKO|Schönberg en het Fonds Podiumkunsten (voorheen Fonds voor de Scheppende Toonkunst) - In memoriam Jonathan Kramer. - Herz. versie geschreven voor Prague Philharmonia - Tijdsduur: ca. 17'
Duration: 17'00"
Number of players: 12
Year of composition: 2005-2006
Status: fully digitized (real-time delivery)

Description:
Program note (English): [Première revised version: March 19, 2006 - Dvorak Hall, Prague - Prague Radio Symphony Orchestra, Ronald Zollman cond.] - Platonic ID concerns itself with the World Soul of Plato. Its identity can be understood as a harmonic series with partial numbers 1, 2, 3, 4, 8, 9 and 27. The harmonic world of Platonic ID consists of a sounding of this (filtered) overtone series and its corresponding undertone series, based on several different fundamentals. Further materials derive from harmonic relations between sounding harmonics and their respective fingerings on strings of different lengths. - ROZALIE HIRS

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