related works
Tattooed tongues / Friso Haverkamp, Martijn Padding
Genre:
Vocal music
Subgenre:
Vocal ensemble (2-12) and large ensemble
Scoring:
3soloists fl cl el.wind instr. bug trp trb perc el.g pf 2vl vla vc
Sustained surprise : haydnsymphony94.remixed : for orchestra / Matthias Kranebitter
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl(pic) fl 2ob cl cl(cl-b) 2fg 4h 2trp 2trb tb timp perc pf str
Simphonie periodique no. XI / Joseph Schmitt
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2000 2000 str(vl vla bc)
Soundscape of my time : for symphony orchestra / Reza Nakisa
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2fg 2h 2trp trb 2timp perc str
composition
Kier : symphony orchestra, 2005 / Martijn Padding
Other authors:
Padding, Martijn
(Composer)
Description:
Program note (English): Conductor Jurjen Hempel asked me to write a composition for the opening of the concert. I interpreted the word Opening in two different ways. First as Jurjen meant it, as a beginning of something, as an overture. But Opening also means something that is not closed, something open, something ajar. This idea of music with a chink (Kier is the Dutch word) had a lot of influence on the form and the instrumentation of the piece. That's why you will hear a few windy holes in this overture. When all goes well, the fifty-seven score pages of Kier take only nine minutes to play. Nine minutes for a youth orchestra; an overture in which all orchestral divisions have their part and do what young musicians do so well: play fast! The structure of the music is a chain of up and down moving curves, whirling speedily through the whole orchestra. At first in clear, simple movements, later as dense constellations of curves together and echos of various instrumental groups. The only contrasts with
this orchestral whirling are the incidental breakouts of some instruments and the moments where the musicians come together again in large chords. - MARTIJN PADDING