composer
Astrid Kruisselbrink werd op 9 februari 1972 te Velsen geboren.
Opleiding
Alvorens zij in 1993 toelating deed aan het Rotterdams Conservatorium speelde zij vanaf haar 9e jaar (klassiek en jazz) piano, later ...
related works
Red, white and blues : Dutch new blues pieces, for piano, 1996-2006, Volume 1
Genre:
Chamber music
Subgenre:
Piano
Instruments:
pf
Imitation : version 211/Struktur 3, fluit, fagot, spinet, piano [en] strijkers / Michael Fahres
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-11 players); Electronics with different instruments; Wind and string and key instrument(s); Wind and string and key instrument(s) with electronics; Mixed ensemble (2-11 players) with electronics
Instruments:
fl fg spt pf 2vl vla vc electronics
Genre:
Chamber music
Subgenre:
Wind and string and key instrument(s)
Instruments:
fl(pic) ob(eh) cl fg h cb pf
Kentering : trio voor fluit, violoncello en piano, 1987 / Dirk Dekker
Genre:
Chamber music
Subgenre:
Wind and string and key instrument(s)
Instruments:
fl vc pf
composition
Lees : for bassoon, string trio and piano, 2003 / Astrid Kruisselbrink
Description:
Program note (English): While I was composing I read 'Mort à Crédit' by Louis-Ferdinand Céline (1894-1961)... There was also a passage I read in l'Évolution Creatice'... the philosopher Henri Bergson (1859-1941) served as a guide, but now, after reading Céline... I had to start at least 3 times over again... I heard myself scribbling new scenario's on the paper over and over again and discovered I use the same thinking-dots as Céline. The titel LEES refers to three things... One is the translation of this word in english: READ!... Referring to the way Céline orders the reader to continue and not to stop... until the words start to dazzle... Which brings us to pronunciation of the (Dutch) word LEES which is the same as the English LACE... The (reading-rhythm) music transforms in a lace-like structure... and ends in the English word Lees... what is left in the wine after drinking it... - ASTRID KRUISSELBRINK