composer
Jochem Slothouwer werd op 3 september 1938 in Utrecht geboren. Hij overleed op 16 augustus 2009.
Opleiding
In 1956 begon hij zijn studie aan het Amsterdams Muzieklyceum (piano bij Cornelius Berkhout en ...
related works
Ballade : for alto saxophone and piano / Jochem Slothouwer, 1990
Genre:
Chamber music
Subgenre:
Saxophone and keyboard instrument
Scoring:
sax-a pf
Quatuor : for clarinet, violin, violoncello and piano, 1960 / Matty Niël
Genre:
Chamber music
Subgenre:
Wind and string and key instrument(s)
Scoring:
cl pf vl vc
Sérénade occidentale : pour clarinette, violon et piano, 1942 / par Hugo Godron
Genre:
Chamber music
Subgenre:
Wind and string and key instrument(s)
Scoring:
cl vl pf
Trio : for piano, flute and viola, 1992-1994 / Egmont Pieter Swaan
Genre:
Chamber music
Subgenre:
Wind and string and key instrument(s)
Scoring:
fl vla pf
composition
Trio no. 3 : for violin, horn in F and piano, 1988 / Jochem Slothouwer
Contains:
Molto moderato
Scherzo
Andante espressivo
Vivace
Description:
Program note (English): There aren't many compositions for horn trio; most famous are those by Brahms and, more recent, Ligeti. On paper the combination horn-violin-piano might seem problematic, but by careful instrumentation the resulting sound proves a pleasant surprise. In sound and playing method violin and horn are contrasting instruments, but in this composition they complement each other and have an interesting conversation, with the piano as 'binding agent'. The first part, Molto moderato-Allegro ma non troppo, is written in a free sonata form. The horn motive of the beginning returns at the height of the development section. The themes in the allegro appear in reversed order in the shortened recapitulation. The second movement, Scherzo-Allegro molto e leggiero, is volatile and playful in character, due to the constant alternation between measures in 4/4 and 5/5 meter. The third movement, Andante espressivo, is the heart of this composition, musically and emotionally. A majestic progressing
melody is interrupted by short cadenza's of the horn, violin and piano, consecutively, the last one leading to the climax of this movement. The return to the main theme leads to a quiet ending. The last movement, Vivace, is a short finale in rondo form, a boisterous hunt! - JOCHEM SLOTHOUWER