composer

Fesch, Willem de

Willem de Fesch, a contemporary of Johann Sebastian Bach, is an important composer and violinist in the first half of the 18th century. His composition is clearly influenced by the ...

related works

Concerto in a minor : à 4 stromenti, c. 1710 / ed. by Robert L. Tusler, Willem de Fesch

Genre: Chamber music
Subgenre: Other combinations of strings and keyboard instrument
Scoring: 3vl b.c.

Fragment no. IV from Shakespeare sonnets (V-VI-VII-LXXIII-XVIII) : Sonnet: LXXIII, for a low voice, flute and 'cello, 1965 / Ton de Kruyf

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: low fl vc

Recitatief Ah m'abbandoni en Aria In questa selva oscura : voor bas, viola da gamba en clavecimbel, (1953) / Karel Mengelberg

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: bas cemb vladg

Übergänge : Textvon P. Colum, für Singstimme, Altsaxophon und Klavier, 5. Folge, 1955 / Fré Focke

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: voice sax-a pf

composition

Temple of love : for voice, two obligato instruments and basso continuo, 1753 / ed. by Robert L. Tusler, Willem de Fesch

Other authors:
Boyce, Samuel (librettist)
Huggins, William (librettist)
Contains:
As Amoret with Phillis sat
In days of old as poets tell
Let others sing in loftier lays
Nature for defence affords
Stretch'd on the turf in Sylvan shades
Thou calm-ray'd spring whose blooming face
Wer't thou yet fairer than thou art
When Damon met Philips on the gay Green
When mighty Jove survey'd mankind
When Morn her Sweets shall first unfold
Would'st thou all the joys receive
As t'other day o'er the green meadow
Ye gentle gales that fan the air
Aspiring Sol whose gladsome Rays
Daphne on her arm reclin'd
Gayly smiling
Had I but the wings of a dove
Hail England! Old England
Hark Daphne from the Hawthorn bush
I sing not of battles