composer

Schönberger, Elmer

Elmer Schönberger was born in Utrecht on January 1, 1950. 'Writer, composer, musicologist' is the most concise biographical summary Elmer Schönberger is inclined to assign himself, although the order has the ...

related works

Achttien dagen (Eighteen Days) : for clarinet, viola, cimbalom, percussion and double bass / Elmer Schönberger

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Instruments: cl vla cimb perc cb

Cantate : koor, tenorsolo, instrumentaal ensemble, 1978 / op teksten van Petronius en Ovidius, Ton de Kruyf

Genre: Vocal music
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Cantate for a spring day : for soprano solo, mixed 16 part chorus and orchestra / Walter Hekster

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Drie canzonetta's : voor gemengd koor en vier houtblazers, 1986 / op teksten van Frans de Clerq, Antoon Maessen

Genre: Vocal music
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composition

Dovemansoren : for tenor solo, three female voices and ensemble, 2002 / Elmer Schönberger

Publisher: Amsterdam: Muziek Centrum Nederland, [2009]
Publisher's number: 10731
Genre: Vocal music
Subgenre: Mixed choir and instruments
Instruments: ten VK3 3fl perc hp pf 2vl vla
Remarks: Twee intermezzi uit het gelijknamige toneelstuk. - Voor tenor, vrouwenkoor SMzA, 3 fluiten (3e tevens altfluit), harp, piano, slagwerker, 2 violen en altviool. - Tekst van Ludwig van Beethoven (Duits) en Elmer Schönberger (Nederlands). - Met financiële steun van het Amsterdams Fonds van de Kunst. - Geschreven voor Toneelgroep De Appel. - Cop. Muziek Groep Nederland, 2003. - Tijdsduur: ca. 15'
Duration: 15'00"
Year of composition: 2002, rev. 2005
Status: fully digitized (real-time delivery)

Other authors:
Beethoven, Ludwig van (librettist)
Schönberger, Elmer (librettist)
Description:
Program note (English): Dovemansoren [Deaf Ears] is the title of a play I wrote for theatre company De Appel [The Apple] in 2002. Family and friends meet around Otto Goud's coffin, committing autopsy on the memory of this former conductor, who once, at the top of his career, turned his back on music, and was never heard from again. I wrote two intermezzi where Otto Goud's ghost sings fragments from letters by Ludwig van Beethoven, a choir of three female voices in turn providing comments on these letters. - ELMER SCHÖNBERGER

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