composer

Eisma, Will

Will Eisma was born on May 13, 1929 at Sungailiat (Indonesia). In 1946 Eisma came to The Netherlands. From 1948 to 1953 he studied violin with Jewsey Wulf and Oscar Back ...

related works

Affairs II : for recorder (piccolo) and harpsichord, 1963 / Will Eisma

Genre: Chamber music
Subgenre: Mixed ensemble (2-11 players); Flute and keyboard instrument; Recorder and keyboard instrument
Instruments: rec-so cemb

Collected Chamber Music / ed. by Odilia Vermeulen & Ton Braas, Matthijs Vermeulen

Genre: Chamber music
Subgenre: Cello and keyboard instrument; Violin and keyboard instrument; String Quartet (2 violins, viola, cello); String Trio (violin, viola, cello)
Instruments: vc pf ; vl pf ; vl vla vc ; 2vl vla vc

De vloek van de farao : voor viool en piano, voor viool, altviool en cello, voor hobo, klarinet, grote trom, piano, cello en contrabas, voor viool en piano, voor klarinet, viool en cello, voor klarinet, harp, 2 violen en cello, 1996 / Cathy van Eck, Kees Geluk, Tomas Hendriks, Fanny de Ruiter, Daan Verlaan, Mathilde Almekinders

Genre: Chamber music
Subgenre: Violin and keyboard instrument; String Trio (violin, viola, cello); Mixed ensemble (2-11 players); Wind and string instrument(s)
Instruments: vl pf - vl vla vc - ob cl perc pf vc cb - vl pf - cl vl vc (or other instr.) - cl hp 2vl vc

Mariachi : (de 'A Tí Te Toca'), for violin and piano, opus 23e, 2004 / Marijn Simons

Genre: Chamber music
Subgenre: Violin and keyboard instrument
Instruments: vl pf

 

composition

Due madrigali : voor viool en piano / Will Eisma

Publisher: Amsterdam: Donemus, cop. 1963
Publisher's number: 00100
Genre: Chamber music
Subgenre: Violin and keyboard instrument
Instruments: vl pf
Remarks: Opgedragen aan Aldo Redditi, concertmeester van de Società Corelli te Rome. - Jaar van comp.: 1962. - Tijdsduur: 11'
Duration: 11'00"
Number of players: 2
Status: fully digitized (real-time delivery)

Contains:
Allegretto
Grave
Description:
Program note (English): The name Madrigal was chosen because of the fact that (a) - as was usual in the case of Dante, Petrach and Boccaccio - the madrigal is often of a serious, meditative character and (b) an experiment was made with 'tone paintings', as found in the 16th century madrigals (Gesualso, Monteverdi). Musical forms, or composition techniques, from the periods mentioned above were not applied. The first Madrigal consists of a theme which is followed by four variations and a coda. The second is a series of alternations of long chords, broadly arched melodic lines and fiercely lacerating parts in fast tempo. - WILL EISMA

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Product Description Price/piece Count
Score Download (A4), 17 pages EUR 11.17
Hardcopy, normal size (A4), 17 pages EUR 22.35
Parts Download (A4), 9 pages EUR 8.97
Hardcopy, normal size (A4), 9 pages EUR 17.95