related works
Two Shakespeare Sonnets : for mixed choir and ensemble / Marijn Simons
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
choir fl cl perc vl vc
Celestial Colours : for flute and vibraphone / Spiros Mazis
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
fl vibr
Vespera : for piano, percussion, string quartet and double bass / Frank de Munnik
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
2perc pf 2vl vla vc cb
Patchwork : for piccolo and marimba / Jeroen D'hoe
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
picc mar
composition
Capriccio for Stan & Ollie : for 9 players / Marijn Simons
Author(s):
Simons, Marijn
(Composer)
Contains:
Allegro capriccioso (Stan & Ollie)
Tempo di marcia (Bonnie Scotland)
Serenade-andante (Swiss miss)
Molto vivace (The cuckoo)
Description:
Program note (English): When watching one of Laurel and Hardy movies, I usually split my sides laughing. The Capriccio for Stan & Ollie is a tribute as it were to these unsurpassed comedians. I had wanted to dedicate a piece of music to them for some time, but that turned out to be not so simple, for how does one compose 'funny music' ? The first movement, with the subtitle Stan & Ollie, very much characterizes the two; the instruments combat more or less but at the same time they can't do without one another. I leave it to the listener to decide which instrument depicts who. As a fan of Laurel and Hardy you will probably remember the scene in Bonnie Scotland where Stan makes the soldiers march out of step with his pranks. The 'tempo di marcia', the second movement, is based on this scene and is therefore in 5/8 measure. In the film Swiss Miss, Ollie sings a lovely serenade for a pretty girl, clumsily accompanied by Stan on his euphonium. In the third movement, the bassoons - in a contrary fashion -
play this euphonium part. Many of Laurel and Hardy films start and end with the cuckoo theme (Marvin Hatley). In the last movement I have written variations on three elements from this theme, leading to an enormous climax.... only to end once more in a very simple finale. I composed Capriccio for Stan & Ollie, opus 11a, in 1996 almost simultaneously with the violin and piano version, opus 11. - MARIJN SIMONS