related works
Red, white and blues : Dutch new blues pieces, for piano, 1996-2006, Volume 1
Genre:
Chamber music
Subgenre:
Piano
Scoring:
pf
Keats II : for high voice and chamber orchestra, 1997 / on words by John Keats, Maarten Altena
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
high 2222 2220 2perc pf 4vl 2vla 2cb
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
bar pf 9vl 3vla 2vc cb
Genre:
Vocal music
Subgenre:
Voice and large ensemble; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
bas-bar 1020 1110 2perc hp cemb(cel pf) vl vla vc tape
composition
Spin : for soprano and ensemble, 1997-1998 / on words by Dylan Thomas, Astrid Kruisselbrink
Other authors:
Thomas, Dylan
(Text writer/Librettist)
Kruisselbrink, Astrid
(Composer)
Description:
Program note (English): The basic idea for "Spin" is derived from the symbol ¿. This symbol led me to the idea of 'turning music' (strings), intersected by two movements (percussion). This symbol also determined the positioning of the musicians. The string players are to stand in a circle around the audience, not in sections but with the instrumental types intermingled. The percussionists are positioned at the four points of the compass. The soprano is the only one who breaks through this closed circuit. While in the first 'movement' she is still part of the ensemble, she later sings two text fragments by Dylan Thomas, which again refer indirectly to the principle of the symbol. During the first movement she crosses the circle, and at the end walks via the center to the piano (north) for the second movement. In writing this piece, I was inspired by the personality and music of Jasna Velickovic, a composer from Yugoslavia. This is why the composition is filled with anger, powerlessness and the
paralyzing feelings resulting from the situation in Belgrade, where Jasna Velickovic currently lives. - Astrid Kruisselbrink