Top, Edward

Edward Top was born in Ommen, the Netherlands, in 1972. Top has lived and worked in London, Bangkok, and Rotterdam. He now lives in Vancouver, Canada. Top studied composition and ...

related works

The Grey Tree : for Chinese chamber orchestra / Edward Top

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 2dizi 2sheng suona 2perc yangqin pipa ruan guzheng 4erhu 2zhonghu vc db

Dreamtime : No rhyme no reason, part 3, for viola, guitar trio and tape, 1987 / Chiel Meijering

Genre: Chamber music
Subgenre: Mixed ensemble (2-11 players); Electronics with different instruments; Mixed ensemble (2-11 players) with electronics
Scoring: 3g vla tape

Setting VII : for baritone saxophone (or bass clarinet) and 1 percussionist, 1985 / Walter Hekster

Genre: Chamber music
Subgenre: Mixed ensemble (2-11 players)
Scoring: sax-b/cl-b perc

Rîgus : for ensemble, 2000 / Vincent van Gerven

Genre: Chamber music
Subgenre: Mixed ensemble (2-11 players)
Scoring: fl(pic) cl-b perc hp g man pf vl cb



The stillpoint : for violin and vibraphone, opus 4, 1994/1995 / Edward Top

Publisher: Amsterdam: Donemus, 1998
Publisher's number: 09482
Genre: Chamber music
Subgenre: Mixed ensemble (2-11 players)
Scoring: vibr vl
Remarks: Cop. 1997. - Tijdsduur: ca. 13'
Duration: 13'00"
Number of players: 2
Year of composition: 1995
Status: fully digitized (real-time delivery)

In the silent croaking night
As the world turns
A pattern of timeless moments
The point of intersection of the timeless with time
Program note (English): The basic idea of this work is that two instruments are playing the same melodic material, sometimes in unison, but most of the time put together in asymmetrical rhythms. The piece has four movements, each of them with a subtitle. The first movement (in the silent croacking night) has a ‘mysterioso’ character. It consists of a melody, based on a six-tone mode, which is played several times in different tempos. The second movement (as the world turns) is more or less a unisonmelody that increases in tempo step by step. Little banal quotes taken from the massmedia are unrecognisably integrated in the modal sound. Through an ascending whole tone scale the third movement (a pattern of timeless moments), where this scale plays an important role, is reached. As indicated in the subtitle, this movement is a melodic pattern consisting of little mosaic-stones with mutually different characteristics; slow or fast, resoluto or mysterioso, unison or just about unison, molto brutale or
adagio desolato. This last germ cell (adagio desolato) will slowly grow to a high, final melody in the fourth movement. The final movement (the point of intersection of the timeless with time) opens with an enormous fortissimo where the vibraphonist lets a glissando ring. From the chromatic field that is sounding, one by one notes are being demped which I call a ‘negative’ melody (instead of a series of played tones set against a silent background (ordinary melody), now there are a series of silenced tones against a background consisting of all tones of the vibraphone ringing).
This point is the climax of the work. It is the pivot on which everything hangs. - EDWARD TOP

Sheet Music
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Score Download to Newzik (A3), 30 pages EUR 23.05
Download as PDF (A3), 30 pages EUR 27.66
Hardcopy, normal size (A3), 30 pages EUR 46.10
Hardcopy, study size (A4), 30 pages EUR 31.40