composer
Carlos Micháns komt op 18 augustus in Buenos Aires ter wereld. Op zeventienjarige leeftijd krijgt hij zijn eerste compositielessen van componist Roberto García Morillo en hij studeert harmonie en ...
related works
Le cortège d'Orphée : voor gemengd koor en accordeonorkest, 1993, revisie 1995 / Carlos Micháns
Genre:
Vocal music
Subgenre:
Mixed choir and large ensemble
Instruments:
GK4 accordion-orchestra
Sonate : for violin solo, 2002 / Klaas ten Holt
Genre:
Chamber music
Subgenre:
Violin
Instruments:
vl
Duo II : per due violini, (1966) / Berend Giltay
Genre:
Chamber music
Subgenre:
Violin
Instruments:
2vl
Variaties voor viool solo : 1994 / Ludwig Otten
Genre:
Chamber music
Subgenre:
Violin
Instruments:
vl
composition
Cinq réflexions : sur un thème de Béla Bartók, for violin, 1995 / Carlos Micháns
Other authors:
Bartók, Béla
(on a theme by)
Description:
Program note (English): Béla Bartók composed his monumental Sonata for solo violin in 1944. It is the last work he completed himself (unlike his Piano Concerto No. 3 and his Viola Concerto). These Cinq Réflexions are based on the first five bars of the Sonata's third movement, Melodia. Each 'réflexion' quotes the motif in its own way, either literally, like No. 1, or backwards and incomplete, like No. 4. No. 5, instead, reproduces the structure of the first three bars of the original theme, but starting on the A Flat in the middle, and 'borrowing' notes from right and left alternately, using later a second point of departure. These and other ways of re-inventing the theme are found not only at the beginning, but throughout each piece as well. It is a coincidence that B (natural), which does not figure in the theme, only appears in the first and last movements, as an involuntary allusion to the composer's initials B.B. In addition, it is also a coincidence that Cinq Réflexions was composed on the 50th
anniversary of Bartók's death. Yet I should like to consider it as a personal homage to one of the greatest musical minds of all times. - CARLOS MICHÁNS