composer

Dedić, Srđan


related works

Concerto for cello and chamber orchestra : 1996, revision 2003 / Srđan Dedić

Genre: Orchestra
Subgenre: Cello and orchestra
Scoring: fl ob cl fg h trp trb 2perc hp str(8.6.6.6.4.) vc-solo

Concerto (nº 2) : per violoncello and orchestra / Julius Röntgen

Genre: Orchestra
Subgenre: Cello and orchestra
Scoring: 3222 4230 str vc-solo

Rainbow concerto : for cello and orchestra, 2002 / Jacob ter Veldhuis

Genre: Orchestra
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Scoring: fl(pic) fl(fl-a) ob 2cl fg fg(cfg) 4h trp trb trb-b timp perc mar hp str vc-solo

Poème : voor violoncel en orkest / Henriëtte Bosmans

Genre: Orchestra
Subgenre: Cello and orchestra
Scoring: pic 2fl 2ob 2cl 2fg 4h 2trp 3trb tb timp perc hp str(6.6.4.4.3.) vc-solo

 

composition

Concerto for cello and chamber orchestra : 1996, revision 2003 / Srđan Dedić

Publisher: Amsterdam: Donemus, 2004
Publisher's number: 09126
Genre: Orchestra
Subgenre: Cello and orchestra
Scoring: fl ob cl fg h trp trb 2perc hp str(8.6.6.6.4.) vc-solo
Remarks: Jaar van oorspr. comp.: 1994. - In opdracht van Peter Höhn. - Cop. 1996. - Tijdsduur: ca. 18'
Duration: 18'00"
Year of composition: 1994
Status: fully digitized (real-time delivery)

Description:
Program note (English): (Première: April 6, 1997 - Music Biennale Zagreb - Walter Despalj, Prague Symphony Orchestra) The composition consists of a single movement with nine large sections. It reflects my view of the cello as a powerful, rather than a lyric, solo instrument. The orchestra participates proportionally to the solo instrument, often with rich textures and virtuoso parts. The mainly spontaneously created theme of the piece is further developed and extended using computer and software MAX (developed at IRCAM, Paris). Some of the algorithmic composition methods I used are: - organizing pitches by drawing them from the continuously changing complex modes and arrays; - creation of a counter subject on pre-defined parameters; - manipulation with a time-order of defined melodic-rhythmical patterns; - applying computer generated combination and probability distributions of the process of making a choice in rhythmic values, vertical and horizontal intervals and motives. I tried to synthesize
rational and (for me) sophisticated composing techniques, with spontaneous and spirited musical ideas. The composition was selected by the ISCM Jury for the World Music Days 1997 in Seoul. - SRDAN DEDIC

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