related works
Concerto for cello and chamber orchestra : 1996, revision 2003 / Srđan Dedić
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		fl ob cl fg h trp trb 2perc hp str(8.6.6.6.4.) vc-solo
	
Concerto no. 2 for violoncello and orchestra : An Odyssey, 1996-1997 / Hans Kox
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		2fl(pic) 2ob(ob-am) cl 2h trp perc str vc-solo
	
Opus A : voor symfonie-orkest en 8 concerterende celli, 1953 / Ary Verhaar
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		2222 4230 timp perc hp str 8vc-solo
	
Concerto per violoncello e orchestra : (1963) / Oscar van Hemel
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		3322 4331 timp perc cel hp str vc-solo
	
composition
				Concerto for cello and chamber orchestra : 1996, revision 2003 / Srđan Dedić
			
					
										Other authors:
									
									
									Dedić, Srđan
									(Composer)
								
							
							Description:
						
						
						Program note (English): (Première: April 6, 1997 - Music Biennale Zagreb - Walter Despalj, Prague Symphony Orchestra) The composition consists of a single movement with nine large sections. It reflects my view of the cello as a powerful, rather than a lyric, solo instrument. The orchestra participates proportionally to the solo instrument, often with rich textures and virtuoso parts. The mainly spontaneously created theme of the piece is further developed and extended using computer and software MAX (developed at IRCAM, Paris). Some of the algorithmic composition methods I used are: - organizing pitches by drawing them from the continuously changing complex modes and arrays; - creation of a counter subject on pre-defined parameters; - manipulation with a time-order of defined melodic-rhythmical patterns; - applying computer generated combination and probability distributions of the process of making a choice in rhythmic values, vertical and horizontal intervals and motives. I tried to synthesize
rational and (for me) sophisticated composing techniques, with spontaneous and spirited musical ideas. The composition was selected by the ISCM Jury for the World Music Days 1997 in Seoul. - SRDAN DEDIC