related works
Sarka : voor sopraan en piano, 1993 / Gerda Geertens
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and piano
	
			Scoring: 
		
		sopr pf
	
Short symphony : (Symphony nr. 3), for orchestra, opus 66, 1987 / Jo van den Booren
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		2222 4231 timp str
	
Symphonie concertante : voor orkest, 1962 / door Hendrik Andriessen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		3322 4331 timp hp str
	
Symphonie no. 11 in g-moll ‘Wirbelsymphonie’ : for orchestra / Julius Röntgen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		2fl 2ob 2cl 2fg 4h 2trp 3trb timp perc str
	
composition
				Heartland : for orchestra / Gerda Geertens
			
					
										Other authors:
									
									
									Geertens, Gerda
									(Composer)
								
							
							Description:
						
						
						Program note (English): [Première: 20-05-1995 - Beurs van Berlage,  Amsterdam - Nederlands Ballet Orchestra, conducting, Lucas Vis] -
Heartland is the first piece I wrote for symphony orchestra. Since this instrumentation is such a rewarding medium for the sort of music I want to compose, I have consciously tried to use those elements of my musical thoughts which are the most substantial characteristics of the musical language I have developed over time. I continuously search for resources in music, not only in the first place to experience a musical event developing in time, but to also be able experience the presence of sound in a spatial context. The necessary musical changes in time is the realization of the musical form, and would then be no more than alterations of light in a space creating an atmosphere. A means of suggesting such a sound space is the placement of extremities of the various instruments' tonal pitch next to each other. In Heartland the music starts with the lowest instruments in the orchestra. The range spreads slowly in consistency extending to the number of instruments playing a specific
role. Suddenly this changes halfway through the work into a very high-pitched airy music initiated by the percussion. The percussion's important role throughout the piece reveals an earthiness of the rhythmic instruments; something I associate with a landscape. A landscape which hopefully reflects the essence of my ideas.  My own Heartland.  - GERDA GEERTENS