related works
Split country : for violin, bass clarinet and tape, 1992 / Gerda Geertens
Genre:
Chamber music
Subgenre:
Wind and string instrument(s); Electronics with different instruments; Wind and string instrument(s) with multimedia
Scoring:
vl cl-b tape
City Imprints : for orchestra / Klas Torstensson
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b cl-cb 2fg cfg 4h 3tpt 3trb(trb-tb/trb-b) 2tb-cb 4perc timp synth hp str
Imbroglio : for orchestra / Peter van Onna
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 3fl 3ob eh 3cl cl-b 3fg cfg 4h 4trp 3trb trb-b tb timp 3perc pf(cel) hp str(16.14.12.10.8.)
Rotary Vertigo III : for orchestra / Nubim Soyoung Kim
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc fl cl cl-b sax-a sax-bar 2h 2tpt 2trb tv 2perc pf g-e g-bass acc synth 4vn 2vl 2vc db
composition
Heartland : for orchestra / Gerda Geertens
Author(s):
Geertens, Gerda
(Composer)
Description:
Program note (English): [Première: 20-05-1995 - Beurs van Berlage, Amsterdam - Nederlands Ballet Orchestra, conducting, Lucas Vis] -
Heartland is the first piece I wrote for symphony orchestra. Since this instrumentation is such a rewarding medium for the sort of music I want to compose, I have consciously tried to use those elements of my musical thoughts which are the most substantial characteristics of the musical language I have developed over time. I continuously search for resources in music, not only in the first place to experience a musical event developing in time, but to also be able experience the presence of sound in a spatial context. The necessary musical changes in time is the realization of the musical form, and would then be no more than alterations of light in a space creating an atmosphere. A means of suggesting such a sound space is the placement of extremities of the various instruments' tonal pitch next to each other. In Heartland the music starts with the lowest instruments in the orchestra. The range spreads slowly in consistency extending to the number of instruments playing a specific
role. Suddenly this changes halfway through the work into a very high-pitched airy music initiated by the percussion. The percussion's important role throughout the piece reveals an earthiness of the rhythmic instruments; something I associate with a landscape. A landscape which hopefully reflects the essence of my ideas. My own Heartland. - GERDA GEERTENS