related works
Nocturnal : for flute, violin, violoncello, piano and percussion, 1994 / Gerda Geertens
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
fl(fl-a) perc pf vl vc
Trois incantations : for orchestra, 2001 / Jan van Vlijmen
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
4343 6441 hp pf(cel) perc str(17.15.13.11.9.)
Symfonie no. 1 : voor orkest, opus 27, 1978 (revisie: 1979) / Peter Schat
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl(pic) 2ob(ob-am) ob(eh) 3cl cl-b 3fg cfg 4h 2trp trp(trp-pic) 3trb 2tb timp 4perc 2hp mouth-org str
Varianten : = Variants, voor orkest, for orchestra, 1966 / Carel Brons
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4441 timp perc vibr xyl cel pf str
composition
Heartland : for orchestra, 1994 / Gerda Geertens
Other authors:
Geertens, Gerda
(Composer)
Description:
Program note (English): [Première: 20-05-1995 - Beurs van Berlage, Amsterdam - Nederlands Ballet Orchestra, conducting, Lucas Vis] -
Heartland is the first piece I wrote for symphony orchestra. Since this instrumentation is such a rewarding medium for the sort of music I want to compose, I have consciously tried to use those elements of my musical thoughts which are the most substantial characteristics of the musical language I have developed over time. I continuously search for resources in music, not only in the first place to experience a musical event developing in time, but to also be able experience the presence of sound in a spatial context. The necessary musical changes in time is the realization of the musical form, and would then be no more than alterations of light in a space creating an atmosphere. A means of suggesting such a sound space is the placement of extremities of the various instruments' tonal pitch next to each other. In Heartland the music starts with the lowest instruments in the orchestra. The range spreads slowly in consistency extending to the number of instruments playing a specific
role. Suddenly this changes halfway through the work into a very high-pitched airy music initiated by the percussion. The percussion's important role throughout the piece reveals an earthiness of the rhythmic instruments; something I associate with a landscape. A landscape which hopefully reflects the essence of my ideas. My own Heartland. - GERDA GEERTENS