related works
Two : for 2 percussion soloists and ensemble, 2003 / Lorre Lynn Trytten
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Percussion and large ensemble; Percussion and orchestra
	
			Scoring: 
		
		fl(pic) ob cl fg h trp trb tb vl vla vc cb/str(3.3.2.1.) 2perc-solo
	
Collected Chamber Music / ed. by Odilia Vermeulen & Ton Braas, Matthijs Vermeulen
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Cello and keyboard instrument; Violin and keyboard instrument; String quartet (2 violins, viola, cello); String trio (violin, viola, cello)
	
			Scoring: 
		
		vc pf ; vl pf ; vl vla vc ; 2vl vla vc
	
A void : for string trio / Lowell Dykstra
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		String trio (violin, viola, cello)
	
			Scoring: 
		
		vn vla vc
	
Conversation with Seneca : for string trio / Maximiliano Amici
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		String trio (violin, viola, cello)
	
			Scoring: 
		
		vn vla vc
	
composition
				Restless : voor viool, altviool en cello, 1990 / Lorre Lynn Trytten
			
					
										Other authors:
									
									
									Trytten, Lorre Lynn
									(Composer)
								
							
							Contains:
						
						
						Sostenuto
						Allegretto-Intermezzo
						Allegro
						
							Description:
						
						
						Program note (English): String players are almost always classically trained and, though curious, are often timid about experimenting with 'swingier' kinds of music. This piece is meant to help overcome thaty timidity. It is 'classically modern' in form and content but incorporates rhythmic elements from various non-classical styles. In the first movement a syncopated ostinato, primarily in the viola, provides the pulse and rhythmic drive. The 2nd, pizzicato, movement is full of variations on the idea of the after-beat, which the violin and viola keeping close rein on the much wilder cello. A cantabile viola cadenza introduces an exuberant 'suffle.' One of the elements of non-classical music that translates particularly well to stringed instruments, this shuffle forms the basis of the third and final movement. - LORRE LYNN TRYTTEN