related works
L'autunno di Christina : Dramatic scene for soprano and large ensemble / Klas Torstensson
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
sopr-solo fl/picc ob/eh cl-cl-b fg tpt h trb-t/trb-b pf 2perc 2vn vla vc db
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
sopr alt 2fl(picc) ob 2cl(cl-b) fg(fg-c) 2h trp trb tb 3perc cymb acc pf(harm) hp str
Icarus : a radiofonic oratorio, opus 77, Amsterdam 1-I-1963 / Lex van Delden
Genre:
Vocal music
Subgenre:
Mixed choir and orchestra; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
recit sopr alt bar GK4 2332 2000 timp perc hp str tape electronics
A crossing place : for mezzo-soprano and instrumental ensemble, 1989 / Frank de Munnik
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
sopr-m 1121 1110 perc hp pf vl vla vc cb
composition
Urban songs : soprano, large ensemble, computers / Klas Torstensson
Other authors:
Torstensson, Klas
(Text writer/Librettist)
Torstensson, Klas
(Composer)
Description:
Program note (English): As a composer I feel attracted to writing series - or 'families' - of compositions, a method which enables me to concentrate, over a longer period of time, on a specific problem or on a specific definition of a problem. An example is my triptych Licks & Brains for saxophones and ensemble (1987-88). In the case of Urban songs, for soprano, large ensemble and computers, the 'family' is small; apart from this piece, the only other 'family member' is a composition for soprano solo, Urban solo (also written for Charlotte Riedijk). The traditional Libanese folksong Abu Zeluf - as sung by the Libanese singer Dunya Yunis - could perhaps also be considered as a part of this 'family'; Urban Solo as well as Urban Songs (first song) were partly inspired by this folksong. The song itself, however, is not quoted; similarities are rather to be found in certain kinds of ornamentation, and in the speech-sounds that are used (stripped of their semantic meaning!). Where the first part (song)
could - in spite of the title of the composition - in some ways be called 'rural', the second part (song) is definitely 'urban' in character. It not only refers to an urban style of music (no one can probably fail to notice which kind of music is meant), but also the 'montage'-like structure would be unthinkable without modern urban technologies such as the technique of sampling. - KLAS TORSTENSSON