related works
Antiphonie : voor blaaskwintet en vier klanksporen / Ton de Leeuw
Genre:
Chamber music
Subgenre:
Wind quintet; Electronics with different instruments; Wind quintet with multimedia
Scoring:
fl ob cl h fg tape
Requiem : for tenor, actor and ensemble; opus 37 / Micha Hamel
Genre:
Opera, musical theatre
Subgenre:
Opera
Scoring:
ten pf fl(picc) bfl(shakuhachi) sax-s(sax-a) trb(tb) vl kemence perc 2hp org
Genre:
Opera, musical theatre
Subgenre:
Opera
Scoring:
soloists 2fl(picc/fl-a) 2ob(eh) 2cl(cl-b) 2cl-b 2fg(cfg) 4h 3tpt 3trb tb 7perc str
Eline : Opera / Erik Lotichius; text by the composer
Genre:
Opera, musical theatre
Subgenre:
Opera
Scoring:
Eline: Mezzo-soprano; Fabrice/Otto: Baritone; Couperus: Baritone.
Ensemble: Flute/Piccolo; Clarinet/basClarinet; Horn; Violin; Piano; Double-bass; Percussion: Timpani; Cymbal; Tambourin; Triangle; Bells
composition
Antigone : muziekdrama, naar een vrije bewerking van Sophocles door de componist / Ton de Leeuw
Other authors:
Leeuw, Ton de
(Text writer/Librettist)
Sophocles
(Text writer/Librettist)
Leeuw, Ton de
(Composer)
Description:
Program note (English): Rather than an expressionistic approach, there is lucid, reserved intensity, sober vocal line with a nearly liturgical character, and - despite the apparent simplicity - strict modal cyclicity (as has been outlined for example in the doctoral thesis written by Dr R. de Groot: "Compositie en intentie van Ton de Leeuws muziek" [Composition and intention in the music of Ton de Leeuw], University of Amsterdam).
Rather than being set as a confrontation between individuals, three of the four roles are interpreted by choirs. The only soloist is Antigone but neither does her role dominate.
A stylised approach rather than realism. To give an example, in the dialogue between Antigone and Ismene, the characters sing their thoughts simultaneously rather than in alternation with each other. - TON DE LEEUW