related works
Cinq hymnes : for mixed choir, 2 pianos and percussion, 1987/88 / Ton de Leeuw
Genre:
Vocal music
Subgenre:
Mixed choir and instruments; Mixed choir
Scoring:
GK4 2pf ; GK4 ; GK4 2pf 2perc ; GK6 ; GK4 2pf 2perc
Mattheus Passie : 2006 / Boudewijn Tarenskeen
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
19 voices
O quam amabilis : for mixed choir, 1939 / Jos van Amelsvoort
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
Deuntje : aan mr. Cornelis Tymensz. Padbrué, (1952) / [tekst] (J. van den Vondel), Jan van Dijk
Genre:
Vocal music
Subgenre:
Mixed choir; Vocal ensemble (2-12)
Scoring:
2sopr 2alt 2ten 2bas / 2GK4
composition
Car nos vignes sont en fleurs : pour 12 voix mixtes, 1981 / texte: extraits du Cantique des Cantiques, Ton de Leeuw
Other authors:
Leeuw, Ton de
(Composer)
Contains:
Très lent
Presque lent, hésitant
Modéré, sans rigueur
Grave
Calme, détendu
Rapide, sans presser
Grave et soutenu
Description:
Program note (English): The texts of 'Car nos vignes sont en fleur' are derived from the 'Song of Songs'. They not only depict love, but also the fear of losing it, the search for it, swung between hope and despair, and the sublimation of love in a tendency towards unification with the divine.
The deep human longing for love in these millennia-old texts has a special dimension in this age of induration and isolation. The introvert character of the music - which should also lead the singers - is in sharp contrast with the exuberance of the old texts. The antithesis of the consecutive, sometimes conflicting moods expressed in the text is realised by sober contours: the hesitating, seeking first movements, the determination to find the beloved and the ode to the beloved in the third and fourth part, the pastoral-like quietness and satisfaction of the fifth and the renewed search in the strong driving sixth part and finally the seventh part, a hymn to the superterrestrial love, with almost liturgical rigidity. The singers are standing in a semi-circle: 3 sopranos, 3 tenors, 3 contraltos and 3 basses, which also has a spatial effect in relation to one another. - TON DE LEEUW