Henkemans, Hans

Hans Henkemans, one of the leading Dutch pianists and composers of the 20th century, wrote orchestral, vocal and chamber music, and an opera. For twenty-five years he performed as a ...

related works

Variaties op een Uilenspiegelthema / door 11 Nederlandse componisten

Genre: Orchestra
Subgenre: Violin and orchestra
Instruments: 3222 4330 timp perc (hp ad lib.) str 2vl-solo

Oratio : gecomp. 1928, geork. 1942 / Anthon van der Horst

Genre: Vocal music
Subgenre: Voice and orchestra
Instruments: high 2333 3330 timp perc hp str

Marsua : for mezzo soprano and string orchestra, 1996 / text: Hugo Claus, Anton Havelaar

Genre: Vocal music
Subgenre: Voice and orchestra
Instruments: sopr-m str

L' attente mystique : 1920 / texte: Louis Le Cardonnel, Hendrik Andriessen

Genre: Vocal music
Subgenre: Voice and orchestra
Instruments: sopr 2222 2000 str



Chamber music : a cycle of eight songs for tenor voice and small orchestra, 1991 / poems by James Joyce, Hans Henkemans

Publisher: Amsterdam: Donemus, cop. 1992
Publisher's number: 06702
Genre: Vocal music
Subgenre: Voice and orchestra
Instruments: ten fl(pic) fl(fl-a) ob ob(ob-am) cl cl(cl-b) 2fg 2h timp perc cel hp pf str(
Remarks: In opdracht van het Fonds voor de Scheppende Toonkunst. - Tijdsduur: ca. 13'
Duration: 13'00"
Year of composition: 1991
Status: not yet digitized (expected delivery time 14 days)

Other authors:
Joyce, James (librettist)
Allegretto molto tranquillo
Allegretto leggiero
Andante con moto, quasi rubato
Allegro non lento
Quasi lento
Allegro non troppo, ma feroce
Program note (English): [Première: 11-12-1992 - Vredenburg, Utrecht - Ian Partridge, tenor with the Radio Chamber Orchestra, David Porcelijn, conducting] - The texts of the song cycle Chamber Music have been taken from a collection of poetry by James Joyce which was published in 1907. Joyce, who received a musical education in Paris for concert singer, published his own texts. The sleeve of the publication by Jonathan Cape mention among others this: Elusive and formal, these poems are, above all, musical. Joyce, who trained as a singer in Paris, set of to write of lyrics that could be sung, and their imagery - characteristically - appeals chiefly to the ear. Echoes from books, together with images from musical instruments, contribute to Joyce's "elegant and antique phrase". His models are the Elizabethan lyricists, the airs of Dowland and the words of Shakespeare. I have selected eight of the 36 poems for this cycle. - HANS HENKEMANS

Do you have interest in buying the sheet music of this work? Please let us know so we can digitize this work with priority without any obligation of you.