related works
Neue Niederländische Klaviermusik : Contemporary Dutch piano music - Book 2 / Various composers
Genre:
Chamber music
Subgenre:
Piano
Scoring:
pf
Rise Again : for two bassoons and symphony orchestra / Vanessa Lann
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fg-solo 3fl(picc) 3ob 3cl cfg 4h 3tpt 3trb tb hp timp perc str
Overture Ciudad de los Malditos : for orchestra / Jan Vriend
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b cl-cb 2fg fg-cb 4h 3trp 2trb trb-b tb timp 2perc pf str
Symphony II : for orchestra, 1958, (revised version 1980) / Rudolf Escher
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 2fl 2ob eh 2cl cl-b 2sax 4h 2trp tb timp 4perc 2hp pf str(14.14.12.10.8.)
composition
Mozaïeken : = (Mosaics), opus 5, for orchestra, (1959) / Peter Schat
Author(s):
Schat, Peter
(Composer)
Contains:
Lento
Allegretto grazioso
Description:
Program note (English): The Mosaics for orchestra were written in the spring of 1959. The title refers to the name of the musical set-up: a composition in which small, melodic, harmonic, rythmic and timbre-sounds function as independent data are freely associated against each other, analogously as in the way in which a mosaic is composed from colorful tiles. The usage of changing tonal patterns are created from a limited number of intervals. In this way there is a harmonic, rythmic and three melodic patterns. Additionally specific recurring dynamics play a role. The colors in the orchestra are extended with bells, vibraphone, xylophone, marimbaphone, several types of cymbals and drums, harp, celesta and piano. The form is a one movement piece (Lento) which flows into a second movement (Allegretto grazioso). The first part has been structured so that at the peak all data are heard simultaneously. The second part is an alternation between soli and tutti (7-movements), which can be compared to the
concerto grosso form with the idea that all solistic instruments take part alternatively. Mosaics represented the Netherlands during the ISCM festival in 1960. - PETER SCHAT