related works
Canzoni amorose del duecento : per soprano, baritono, pianoforte ed orchestra / Hans Henkemans
Genre:
Vocal music
Subgenre:
Vocal ensemble (2-12) and orchestra
Scoring:
sopr bar 3333 4000 timp perc hp pf str(18.18.14.10.6.)
Toamna : ballata moldava, per siringa ed orchestra, 1982 / Willem Strietman
Genre:
Orchestra
Subgenre:
Flute and orchestra; Violin and orchestra; Harmonica and orchestra
Scoring:
2222 sax-a 2110 2perc cel hp str panfl-solo (or other instr)
Flute Concerto Nº 3 : for amplified flute with echo-delay and symphony orchestra / Hanna Kulenty
Genre:
Orchestra
Subgenre:
Flute and orchestra
Scoring:
fl-solo 3fl(picc) 3ob 3cl 2fg cfg 4tpt 4h 3trb tb 4perc pf str
Tángola : opus 73a, versie voor fluit en kamerorkest, 1991 / Jan Masséus
Genre:
Orchestra
Subgenre:
Flute and orchestra
Scoring:
2222 2100 timp perc str fl-solo
composition
Élégies : pour quatre flûtes et orchestre, 1967 / Hans Henkemans
Other authors:
Henkemans, Hans
(Composer)
Description:
Program note (English): (Première: 18-10-1967 - Utrecht - Marius Ruysink, Hans Bolland, Thom Reinders, Charles Havelaar, Utrechts Symphony Orchestra, Paul Hupperts, conducting) - The composition consists of four short movements, which flow continuously forward, while each in their own manner are, as it were, a comment on desolation. The construction of the whole work is very open, although near the end of the last fragment short reminiscences to the beginning appear, resulting in a certain entity. The first of the four elegies consists, by maintaining an atmosphere and tempo, of two parts (the first acting as an introduction to the entire work and is an important part of the usage of thematic material that will be heard); the orchestra has been entrusted to the brass and wind instruments (mainly brass). The following two elegies combine an agitated and slightly imminent string accompaniment with the sometimes plaintive, sometimes hard 'raging' playing of the four flutes. This fragment connects by
means of a general pause to the quiet and dark third movement, of which the accompaniment now rests with the whole (though generally playing in small groups) orchestra. A slightly contemplative fourth movement, in the most extreme of pianissimos, concludes the work.- HANS HENKEMANS