composer
Henriëtte Bosmans is considered one of the most important Dutch composers of the first half of the 20th century. As a pianist and composer, she was affiliated with various chamber ...
related works
String Quartet / Henriette Bosmans
Genre:
Chamber music
Subgenre:
String Quartet (2 violins, viola, cello)
Scoring:
2vl vla vc
Genre:
Vocal music
Subgenre:
Speak Voice and orchestra
Scoring:
recit 2fl 2ob 2cl 2fg 2h 2trp 2trb timp perc str
Genre:
Vocal music
Subgenre:
Speak Voice and orchestra
Scoring:
recit fl(pic) fl ob ob(eh) 2cl fg fg(cfg) 3h 3trp 2trb trb-b g-b 3perc str
Henric van Veldeke : voor orkest, zang en declamatie / Herman Strategier
Genre:
Vocal music
Subgenre:
Vocal Ensemble (2-12) and orchestra; Speak Voice and orchestra
Scoring:
bar(recit) 2recit 2222 4330 timp perc cel hp str
composition
Doodenmarsch : for spoken voice and orchestra / Henriëtte Bosmans, words by Clara Eggink
Other authors:
Eggink, Clara
(librettist)
Leo Smit Stichting
(partner)
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.