composer

Bosmans, Henriëtte

Henriëtte Bosmans is considered one of the most important Dutch composers of the first half of the 20th century. As a pianist and composer, she was affiliated with various chamber ...

related works

String Quartet / Henriette Bosmans

Genre: Chamber music
Subgenre: String Quartet (2 violins, viola, cello)
Scoring: 2vl vla vc

Les elfes : declamatorium met orkestbegeleiding, (1948) / op een tekst van Leconte de Lisle (uit "Poèmes barbares"), Henk Badings

Genre: Vocal music
Subgenre: Speak Voice and orchestra
Scoring: recit 3222 3330 timp perc cel hp str

Erik's wonderbaarlijke reis : instrumentale opera voor de jeugd, voor verteller en orkest, 1979, (revisie 1980) / vrij naar 'Erik' van Godfried Bomans, Willem Frederik Bon

Genre: Vocal music
Subgenre: Speak Voice and orchestra
Scoring: recit 2222 2211 timp 3perc cel hp str

De dijk : voor mannenstem en orkest, gecomponeerd in het jaar 1937 / muziek van Bertus van Lier, tekst van Jan Engelman

Genre: Vocal music
Subgenre: Speak Voice and orchestra
Scoring: recit(male voice) 2222 2321 timp perc hp pf str

 

composition

Doodenmarsch : for spoken voice and orchestra / Henriëtte Bosmans, words by Clara Eggink

Publisher: Amsterdam: Donemus, cop. 1952
Publisher's number: 05986
Genre: Vocal music
Subgenre: Speak Voice and orchestra
Scoring: recit 2222 3300 perc str
Remarks: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science.
Duration: 5'00"
Year of composition: 1946
Status: fully digitized (real-time delivery)

Other authors:
Eggink, Clara (librettist)
Leo Smit Stichting (partner)
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

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