related works
String Quartet / Henriette Bosmans
Genre:
Chamber music
Subgenre:
String quartet (2 violins, viola, cello)
Scoring:
2vl vla vc
6 Chants de Paul Verlaine : pour chant et piano, 1943 / mises en musique par Jacques Beers
Genre:
Vocal music
Subgenre:
Voice and piano
Scoring:
low pf
I prithee send me back my heart : for voice and piano / Julius Hijman; words by Sir John Suckling
Genre:
Vocal music
Subgenre:
Voice and piano
Scoring:
zang pf
Drie liederen : voor lage stem en piano / op tekst van Walt Whitman, Wolfgang Wijdeveld
Genre:
Vocal music
Subgenre:
Voice and piano
Scoring:
low pf
composition
Three Songs on German Texts (Drie liederen op Duitse tekst) : for voice and piano / Henriëtte Bosmans
Author(s):
Bierbaum, Otto Julius
(Text writer/Librettist)
Leo Smit Stichting
(Partner)
Li T'Ai Po
(Text writer/Librettist)
Tu Fu
(Text writer/Librettist)
Bosmans, Henriëtte
(Composer)
Contains:
Liebestrunken / tekst v. Li T'ai Po
Der Kaiser / tekst v. Tu Fu
Schmied schmerz / tekst v. O.J. Bierbaum
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.