related works
Loro Kidoel : for clarinet, percussion and piano, 2000 / Sinta Wullur
Genre:
Chamber music
Scoring:
cl perc pf
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
Three identical groups: GROUP I: pic fl(pic) 2ob 2cl fg cfg 4h 2trp trb trb-b 3perc pf(cel) hp ; GROUP II: pic fl(pic) 2ob 2cl fg 2g cfg 4h 2trp trb trb-b 3perc pf(cel) hp ; GROUP III: str
Six concertos, opus II / edited by Robert L. Tusler, Willem de Fesch
Genre:
Orchestra
Subgenre:
String orchestra; Two or more different solo instruments and orchestra; Violin and string orchestra
Scoring:
str bc 2vl-vc-solo / str bc vl-solo / str bc 2vl-vla-vc-solo / str bc 2vl-2vla-solo
Genre:
Orchestra
Subgenre:
Band
Scoring:
2260 3sax 4232 2bug 2crt 2altoh 2barh 2euph perc cb
composition
Catur : for 2 pianos and 2 percussionists, 1986 / Sinta Wullur
Author(s):
Wullur, Sinta
(Composer)
Description:
Program note (English): Catur (should be pronounced as 'Chatur', as in 'ch' from children) is the Sanskrit word for the number four. This is chosen because of the four players and the four movements in this piece, in which each movement is subdivided in four small parts. Each part is based on a combination of two different numbers with the characters to which they belong according to the science of numerology. For example: number one symbolizes the arise, number seven the introspection. The numbers are additionally used in a structural way. The total form consists of a chain of small units which overflow in one another. The pitch is based on symmetrical modes. In this composition you can find influences of Balinese gamelan: the existing patterns from the Balinese gamelan; the use of heterophony where there are layers with a distinct cantus firmus (balungan), rhythmical ornaments and gong function; the use of the principle of hoketes and interlocking patterns; the bright and vivid character of the
Balinese gamelan and the technique of gradually changing of tempi and rhythms. - SINTA WULLUR