composer
Klas Torstensson was born on January 16, 1951, in Nässjö, Sweden.
Education
Klas Torstensson studied composition at the Ingesunds Musikhögskola (Sweden), musicology at the University of Gothenburg (Sweden), and electronic music at ...
related works
Miniatures : for bass clarinet / Initiated and edited by Fie Schouten
Genre:
Chamber music
Subgenre:
Clarinet
Instruments:
cl-b
10-5-6-5(a) : for 2 stringquartets, 1 windquintet & 2 vibraphones / David Porcelijn
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Instruments:
1111 1000 2vibr str(4.2.2.0.)
Serenade for Gustav & Arnold : for ensemble / Maarten van Norden, 2005
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Instruments:
fl ob cl fg h perc pf 2vl vla vc cb
Feest in de gele maisvelden : voor ensemble & tape, 2003 / Simon Burgers
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players); Electronics with different instruments
Instruments:
fl 2ob 2cl 2fg 4sax 2h 2trp 2trb trb-b tb 2perc el.g cb tape
composition
Järn : 1982, revised version 1987, winds-piano-double bass / Klas Torstensson
Description:
Program note (English): When Järn (Swedish for 'iron') was first performed at the 10th anniversary of De Volharding in 1982, there was some hesitation if the piece would be conducted by the composer; a rather radical step for De Volharding. Fortunately history repeats itself but seldom: therefore, for example my Spåra for Hoketus (1984) - where also a conductor was required - was last piece commissioned by this ensemble for their repertoire. Hoketus shortly hereafter was disbanded. The piece became a concluding work: "to here but not further...". For De Volharding it was different: although Järn was at first different to the rest of the repertoire, after ten years one can hear that the music has become their music. This is seen in the freedom of interpretation and especially in the very direct and physical game ' provoked '. Järn is more or less concerned in the division of labour: in the first movement the collective activities are instigated by a small group, in the second movement a continuous and
organic music is produced by the constant changing of groups, while the third movement is dominated by one uniform and aggressive musical layer. - KLAS TORSTENSSON