related works

Vier Seizoenen Symphonie: Gedicht van de herfst : Symphonie des quatre saisons: Poème de l'automne; for flute solo and wind orchestra / Bernard van Beurden

Genre: Orchestra
Subgenre: Flute and wind band
Scoring: 0000 7sax 2332 3bug 2barh timp 3perc fl-solo

Double : for clarinet and piano, Berlin 1965 / by Louis Andriessen

Genre: Chamber music
Subgenre: Clarinet and keyboard instrument
Scoring: cl pf

Tough girls : for soprano and pop orchestra, 2003 / poems by Emily Dickinson, Chiel Meijering

Genre: Vocal music
Subgenre: Voice and orchestra
Scoring: sopr 2100 sax-5 2(-4)440 hp 2el.g el.pf(synth) 2perc drums el.cb str

De Ruyter fantasie-variaties : voor groot orkest / [Jan Pouwels]

Genre: Orchestra
Subgenre: Orchestra
Scoring: 2323 3230 timp perc str

 

composition

Estampie : for wind orchestra, 1978, revision 1992 / Bernard van Beurden

Publisher: Amsterdam: Donemus, cop. 1978
Publisher's number: 04526
Genre: Orchestra
Scoring: fl fl(pic) ob ob(eh) cl cl(cl-b) 2fg 2h trp trb tb timp 2-3perc
Remarks: Voor 2 fluiten (2e tevens piccolo), 2 hobo's (2e tevens althobo), 2 klarinetten (2e tevens basklarinet), 2 fagotten, trompet, 2 hoorns, trombone, tuba, pauken en 2-3 slagwerkers. - Oorspr. versie met 2 trompetten en trombones. - Opgedragen aan Arie van Beek. - Tijdsduur: ca. 11'
Duration: 11'00"
Number of players: 16
Year of composition: 1978
Status: fully digitized (real-time delivery)

Other authors:
Beurden, Bernard van (Composer)
Description:
Program note (English): (Première: 18-12-1992 - Prinsekerk, Rotterdam - Ensemble of the Rotterdams Conservatorium, Arie van Beek, conducting) - The composition Estampie is based on four dance melodies from the 13th and 14th centuries, the so-called estampies. The structure of these melodies - both instrumentally and vocally - can be characterised by among other things a repetitive principle which results in estampies radiating in a motorised way. This motorising phenomena as well as the enormous vitality of medieval monophony formed the main departure point for joining these four dances. The earlier mentioned reoccurring principles are especially found in the percussion parts and the parts which link the dances with each other. Also because of my usage of polyphony, a certain medieval form of polyphony and the parallel organum, where the melody in equal intervals is followed by one or more voices comes forward. There where polyphony and homophony make their entrance in a 'later period', has to
do with the way in which these estampies are composed and the need to break through the reoccurrences, as stated above, and parallelism. - BERNARD VAN BEURDEN

Sheet Music
If you are going to perform this composition, you can enter your concert information here. We will publish this information at the Donemus Facebook page and in the Donemus Concert Agenda.
You can buy the parts or other related products on-line. If you choose a downloadable product you will receive the product in digital form. In all other cases the product is sent to you physically. Please note that you require a copy of this product for every user.
Product Description Price/piece Count
Score Download to Newzik (A3), 36 pages EUR 25.66
Download as PDF (A3), 36 pages EUR 30.79
Hardcopy, normal size (A3), 36 pages EUR 51.32
Hardcopy, study size (A4), 36 pages EUR 34.88
Part(s) Download to Newzik (A4), 88 pages EUR 32.52
Download as PDF (A4), 88 pages EUR 39.02
Hardcopy, normal size (A4), 88 pages EUR 65.04