related works

Pictures at an exhibition / Modest Mussorgsky, orchestration for large wind ensemble by Geert van Keulen, orch. 1992

Genre: Orchestra
Subgenre: Wind ensemble (13 or more players)
Scoring: 2fl(pic) fl-a(fl) 2ob eh(ob) heck(ob) 2cl cl(bh) cl-b cl-cb 2fg cfg 4h 3trp trp-b 2trb trb-b tb

"Vo Kitae bylo v gorode" : for piano, percussion and string orchestra / Olga Victorova

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: pf perc str

Vier Seizoenen Symphonie: Gedicht van de zomer : Symphonie des quatre saisons: Poème de l'été; for 3 woodwinds solo and wind orchestra / Bernard van Beurden

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: fl-solo ob-solo cl-solo 3flgn 2sax-s 2sax-a 2sax-t sax-b 3trp 3h 3trb 2tb-t 2tb-b timp perc

Above : for ensemble and soundtrack, 1999 / Michel van der Aa

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: fl ob cl fg trp perc 2vl vla vc cb tape

composition

Wals : voor 12 instrumentalisten, 1979/80 / Geert van Keulen

Author(s):
Keulen, Geert van (Composer)
Description:
Program note (English): Wals is not a waltz, but the work is based upon the same rhythmic tension between double and triple time which is characteristic of the Viennese waltz. Although Wals is almost entirely 2/4, the rudiments of a waltz can be perceived here and there and with increasing distinctness towards the end. The culmination of this process is that the last two bars are written in 3/4 after all: "Tempo di Valse". Thus the development is the reverse of that of "La Valse" by Ravel, where the waltz breaks off in the last two bars. The second principal element is a three-part canon with the parts played in hocket style. In overall terms this hocket technique becomes increasingly complex as the work progresses, until shortly before the end total fragmentation is achieved. - GEERT VAN KEULEN