related works

Pictures at an exhibition / Modest Mussorgsky, orchestration for large wind ensemble by Geert van Keulen, orch. 1992

Genre: Orchestra
Subgenre: Wind ensemble (13 or more players)
Scoring: 2fl(pic) fl-a(fl) 2ob eh(ob) heck(ob) 2cl cl(bh) cl-b cl-cb 2fg cfg 4h 3trp trp-b 2trb trb-b tb

Who's hot and who's not : for flute, oboe, percussion, double string quartet, double bass and three guitars, 1993 / Chiel Meijering

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 1100 0000 perc 3g 4vl 2vla 2vc cb

Feest in de gele maisvelden : voor ensemble & tape, 2003 / Simon Burgers

Genre: Orchestra
Subgenre: Large ensemble (12 or more players); Electronics with different instruments
Scoring: fl 2ob 2cl 2fg 4sax 2h 2trp 2trb trb-b tb 2perc el.g cb tape

Tipperary Concerto : Version B for sax-quartet and orchestra / JacobTV - Jacob Ter Veldhuis

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: sax-s sax-a sax-t sax-b 3tpt 2trb trb-b perc pf str

composition

Wals : voor 12 instrumentalisten, 1979/80 / Geert van Keulen

Author(s):
Keulen, Geert van (Composer)
Description:
Program note (English): Wals is not a waltz, but the work is based upon the same rhythmic tension between double and triple time which is characteristic of the Viennese waltz. Although Wals is almost entirely 2/4, the rudiments of a waltz can be perceived here and there and with increasing distinctness towards the end. The culmination of this process is that the last two bars are written in 3/4 after all: "Tempo di Valse". Thus the development is the reverse of that of "La Valse" by Ravel, where the waltz breaks off in the last two bars. The second principal element is a three-part canon with the parts played in hocket style. In overall terms this hocket technique becomes increasingly complex as the work progresses, until shortly before the end total fragmentation is achieved. - GEERT VAN KEULEN