related works
Acht miniaturen : voor zes spelers, 1980 / Tristan Keuris
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
cl mar man g vla cb
Nritta : orchestral dance / Ton de Leeuw
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl fl(pic) fl (fl-a) 2ob ob(eh) 2cl cl-b 2fg sax-a 4h 3trp 3trb tb timp 3-4perc hp pf(cel) str
Himmelen : for orchestra / Klas Torstensson
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc (fl) 2fl 2ob CA 2cl Bcl 2bsn cbsn 4hrn 3trp 3trb tba synth hp perc timp str
Metamorphosis : for orchestra / Yip Ho Kwen Austin
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b 2fg cfg 4h 3trp 2trb trb0b tb 2perc str
composition
Sinfonia : for orchestra, (1974) / Tristan Keuris
Other authors:
Keuris, Tristan
(Composer)
Description:
Program note (English): The composition is written for large orchestra: quadruple woodwind plus two alto saxophones, eight horns, four trumpets, three trombones, two tubas, percussion, piano and string orchestra. The percussion is used in the traditional manner, merely for purposes of accentuation or timbre.
The piece has two movements without a break. The first of these (approx. 10 minutes) consists of several fragments in various tempi, the second forms one whole. The piece opens with a semi quaver figure played by horns and bassoons against chords in the low strings. This "introduction" contains all the material for the first fragment, the overall tempo remaining the same; the harmony develops from the first chord. At figure 12 a short intermezzo begins, with a solo cello, imitated by clarinets and saxophones; the tempo slows down, and after a cadenza for two piccolos the second fragment begins (p. 14).
Against a background of sustained tones, vivid flashing figures and short solos are heard in constantly changing instrumentation. A brief, rapid fragment follows; it closes the first section and also forms the transition to the second. The second movement is a long coda of final adagio, lasting about 7 minutes. Its nucleus is a constantly repeated homophonous theme in E major, relieved by changing interruptions. Towards the end, solo strings play the theme in canon, but without any contrapuntal intentions. The theme's contours become blurred; the theme puts itself to an end. - TRISTAN KEURIS