composer
Ton de Leeuw was born on November 16, 1926 in Rotterdam. He died on May 31, 1996 in Paris (France).
In 1949, after some years of composition lessons with Henk Badings, ...
related works
Genre:
Vocal music
Subgenre:
Voice solo; Voice and piano; Voice and instrument(s)
Instruments:
voice solo ; voice pf ; voice perc pf ; voice vc ; 4voices
Mikrotoop : voor 4 zangeressen en groot instrumentaal ensemble, 1985 / Willem van Manen
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Instruments:
2010 4sax 1430 4perc 4g-b 2el.pf 2sopr 2alt
Groter, langer, harder! ... Book 3 : for ensemble, 1999-2005 / Chiel Meijering
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Instruments:
2010 2sax 1(-2)121 perc el.g pf el.cb
Sur place : voor blaasensemble, piano en contrabas, 1990 / Jan Bus
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Instruments:
1000 3sax 1330 pf cb
composition
Spatial music IV : homage to Igor Strawinsky, for twelve players / Ton de Leeuw
Description:
Program note (English): "Spatial Music IV" is one of a series of works bearing the same name in which the spatial positioning of the performers plays an essential role. The position of the performers has compositoral consequences. This can be illustrated by two extremes taken from the score: in the case of the greatest dispersion, totally independent parts can be said to be playing together. The players are, as it were, isolated from one another, only connected by the same time limits given the score. The other extreme is the classic set-up of the players around the piano. In this case, all the parts are closely related to the quotation of a Stravinsky chorale.
The 12 instrumentalists have a limited amount of freedom with regard to their choice of instrument. The composer indicates the following possibilities for part A, for example: flute-bass flute-oboe-oboe d'amore-clarinet-soprano saxophone or trumpet.
There is no improvisation; the composer envisages guided interpretation, i.e. his text is the framework which the players are to take as a basis for their embellishments, colourings and dynamic nuancing; a procedure which is still frequently used today in the highly developed musical cultures of Asia. - TON DE LEEUW