related works
Fauxbourdon : for ensemble, 1991-1992, revision 1993 / Ton de Leeuw
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
fl cl mar man pf(synth) vl vla
Double Concerto : for alto/bass flute & horn solo, 10 players and electronic sounds / Luc Brewaeys
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
ob(eh) cl(cl-b) trp trb-b 2perc pf vln vla vc
Higgajon IV : for ensemble or chamber orchestra / Jan van Dijk
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
1120 0100 harm str/2vl vla vc cb
Concierto del Luna : for flute, guitar and chamber orchestra / Michael Fine
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
fl-solo g-solo ob cl fg h tpt timp perc 2vn vla vc db
composition
Spatial music IV : homage to Igor Strawinsky, for twelve players / Ton de Leeuw
Other authors:
Leeuw, Ton de
(Composer)
Description:
Program note (English): "Spatial Music IV" is one of a series of works bearing the same name in which the spatial positioning of the performers plays an essential role. The position of the performers has compositoral consequences. This can be illustrated by two extremes taken from the score: in the case of the greatest dispersion, totally independent parts can be said to be playing together. The players are, as it were, isolated from one another, only connected by the same time limits given the score. The other extreme is the classic set-up of the players around the piano. In this case, all the parts are closely related to the quotation of a Stravinsky chorale.
The 12 instrumentalists have a limited amount of freedom with regard to their choice of instrument. The composer indicates the following possibilities for part A, for example: flute-bass flute-oboe-oboe d'amore-clarinet-soprano saxophone or trumpet.
There is no improvisation; the composer envisages guided interpretation, i.e. his text is the framework which the players are to take as a basis for their embellishments, colourings and dynamic nuancing; a procedure which is still frequently used today in the highly developed musical cultures of Asia. - TON DE LEEUW