composer
Ton de Leeuw was born on November 16, 1926 in Rotterdam. He died on May 31, 1996 in Paris (France).
In 1949, after some years of composition lessons with Henk Badings, ...
related works
A cette heure du jour : for mixed choir a cappella, 1991-1992 / Ton de Leeuw
Genre:
Vocal music
Subgenre:
Mixed choir
Instruments:
GK8
Fetus' Voyage : for orchestra / Sander Germanus
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
2fl 2ob 2cl 2sax-a fg fg-c 4h 2trp 2trb perc str
Titaantjes : Symfonische schets, voor orkest / Joey Roukens
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
pic 3fl 2ob CA 2cl fg cfg 3h 4trp 3 trb tb timp 2perc hp pf 2vl vla vc bas-c
Sinfonia romantica : (Museum-symphonie), per orchestra da camera / Robert de Roos
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
0200 2000 str(6.6.4.4.2.)
composition
Treurmuziek : voor orkest, 1948 / Ton de Leeuw
Description:
Program note (English): The treurmuziek (funeral music) by Ton de Leeuw is written in variation form. The ''theme, which can better be called a complexity of motifs and melodic data, relies entirely on the organ point 'a'. The small second-motifs heard in the first measures both rise (e - f) and descend (b flat - a), are an important core motif. The motifs grow in rich variations with an adjoining bassoon melody which appears. Variation 1 is a trio for flute, oboe and clarinet; variations 2 and 3 are short intermezzi respectively for string orchestra and for clarinet, horns, trombone and basses; in variation 4 alternating melodies in flute and bassoon are accompanied by the strings; in variation 5 brass instruments and the high wind instruments come to the forefront, a fast tempo is here for the first time prescribed in contrast to the previous variations; in the 6th variation (again andante con moto) more and more instruments join in and form the passage to violently moved 7th variation (allegro deciso); variation 8 is another adagio. In the two last variations the composer indicates and ad libitum. The 9th is a fugue on a theme which has been clearly inferred from variation 7; the 10th variation is a short lento, which reverts to an epilogue of the mourning atmosphere of the beginning. - TON DE LEEUW