related works
Cinq hymnes : for mixed choir, 2 pianos and percussion, 1987/88 / Ton de Leeuw
Genre:
Vocal music
Subgenre:
Mixed choir and instruments; Mixed choir
Scoring:
GK4 2pf ; GK4 ; GK4 2pf 2perc ; GK6 ; GK4 2pf 2perc
Réflexions sonores : pour orchestre, op. 99, oct. nov. dec. 1962 / Anthon van der Horst
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 2fl 2ob eh 2cl cl-b 2fg cfg 4h 3trp 4trb tb perc 2hp str
Sinfonia : (1956-'57), per orchestra / Berend Giltay
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2222 2000 timp str
The pariahs of the camps (in the form of a suite) : for orchestra / Israel Olman
Genre:
Orchestra
Subgenre:
Orchestra
composition
Treurmuziek : voor orkest, 1948 / Ton de Leeuw
Other authors:
Leeuw, Ton de
(Composer)
Description:
Program note (English): The treurmuziek (funeral music) by Ton de Leeuw is written in variation form. The ''theme, which can better be called a complexity of motifs and melodic data, relies entirely on the organ point 'a'. The small second-motifs heard in the first measures both rise (e - f) and descend (b flat - a), are an important core motif. The motifs grow in rich variations with an adjoining bassoon melody which appears. Variation 1 is a trio for flute, oboe and clarinet; variations 2 and 3 are short intermezzi respectively for string orchestra and for clarinet, horns, trombone and basses; in variation 4 alternating melodies in flute and bassoon are accompanied by the strings; in variation 5 brass instruments and the high wind instruments come to the forefront, a fast tempo is here for the first time prescribed in contrast to the previous variations; in the 6th variation (again andante con moto) more and more instruments join in and form the passage to violently moved 7th variation (allegro deciso); variation 8 is another adagio. In the two last variations the composer indicates and ad libitum. The 9th is a fugue on a theme which has been clearly inferred from variation 7; the 10th variation is a short lento, which reverts to an epilogue of the mourning atmosphere of the beginning. - TON DE LEEUW