related works
Canzoni amorose del duecento : per soprano, baritono, pianoforte ed orchestra / Hans Henkemans
Genre:
Vocal music
Subgenre:
Vocal ensemble (2-12) and orchestra
Scoring:
sopr bar 3333 4000 timp perc hp pf str(18.18.14.10.6.)
Symphony III : for orchestra, 1991/1992 / Joep Straesser
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl fl(pic) 3ob 3cl 2fg cfg 4h 4trp 3trb tb 2perc hp str
Genre:
Orchestra
Subgenre:
School orchestra; Orchestra; Mixed choir and orchestra
Scoring:
(GK4 ad lib.) 2121 3221 timp perc str 3h 3trp 3trb tb rec(s-a-t) 5acc
Muziek voor straten en pleinen : voor orkest / Robert Heppener
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl fl(pic) 5h 5trp 4trb trb-b tb 5perc 2hp pf str
composition
Barcarola fantastica : per orchestra, 1962 / Hans Henkemans
Other authors:
Henkemans, Hans
(Composer)
Description:
Program note (English): The Barcarola Fantastica was the result of a commission received on the occasion of the centenary of the Northern Philharmonic Orchestra, Groningen, The Netherlands.
The composition has been scored for normal large orchestra, to wich has been added an alto-flute as only unusual instrument. On the steady rhythms of 6/8 and 9/8 beats -the rhythms of the Barcarola, the Venetian gondola-song- the composition develops as a fantasia on the two principal motives of themes, the first of which is heard, after some introductory bars, in the flute and alto-flute; the second, immediately following upon the first, is played unisono by 'cellos and bass-clarinet.
It is in no way important to try and follow the formal and technical developments in order to appreciate the composition. A thorough-going elucidation would, therefore, seem redundant.
The only aspect of the structure, worth mentioning, is perhaps the relation between the rhythm pattern and the "undulating" course of the dynamics: the composition might, without much effort, be subdivided into five dynamic episodes, of which the the second and fourth are "summits", while the first, third and fifth proceed in a sound-volume not exceeding mezzo-piano.
All other, more artistic observations, are left to the listener, guided by his own fantasy and intuition. - HANS HENKEMANS