related works
Concert voor altviool en orkest / Hans Henkemans
Genre:
Orchestra
Subgenre:
Viola and orchestra
Scoring:
3343 4331 timp perc xyl(vibr) cel hp str vla-solo
Variaties : zonder thema / Hans P. Keuning
Genre:
Orchestra
Subgenre:
Orchestra; School orchestra
Scoring:
222(2) (2)200 timp perc pf str
Symphonische triptiek : (Symphonie no. XIV), 1968 / Henk Badings
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl fl(pic) 2ob ob (eh) 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp 4perc cel str
Anaphora : for large symphony orchestra / Alexey Retinsky
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
4fl/picc 3ob/eh 3cl 3fg/cfg 6h 4tpt 3trb tb 5perc hp g-e keyb str
composition
Barcarola fantastica : per orchestra, 1962 / Hans Henkemans
Other authors:
Henkemans, Hans
(Composer)
Description:
Program note (English): The Barcarola Fantastica was the result of a commission received on the occasion of the centenary of the Northern Philharmonic Orchestra, Groningen, The Netherlands.
The composition has been scored for normal large orchestra, to wich has been added an alto-flute as only unusual instrument. On the steady rhythms of 6/8 and 9/8 beats -the rhythms of the Barcarola, the Venetian gondola-song- the composition develops as a fantasia on the two principal motives of themes, the first of which is heard, after some introductory bars, in the flute and alto-flute; the second, immediately following upon the first, is played unisono by 'cellos and bass-clarinet.
It is in no way important to try and follow the formal and technical developments in order to appreciate the composition. A thorough-going elucidation would, therefore, seem redundant.
The only aspect of the structure, worth mentioning, is perhaps the relation between the rhythm pattern and the "undulating" course of the dynamics: the composition might, without much effort, be subdivided into five dynamic episodes, of which the the second and fourth are "summits", while the first, third and fifth proceed in a sound-volume not exceeding mezzo-piano.
All other, more artistic observations, are left to the listener, guided by his own fantasy and intuition. - HANS HENKEMANS