related works
Variaties op een Uilenspiegelthema / door 11 Nederlandse componisten
Genre:
Orchestra
Subgenre:
Violin and orchestra
Scoring:
3222 4330 timp perc (hp ad lib.) str 2vl-solo
Bourrée Overflakkee : voor 21 blazers, slagwerk, piano en strijkers, (1972) / Ruud Bos
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2233 2sax-t 4221 timp perc pf str(vl vc cb)
In the Hall of the Mountain... : for symphony orchestra / Olga Victorova
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ov 2cl sax-t 2fg cfg 4h 2tpt 2trb trb-b tb 4perc str
Arina's droom : voor kamerorkest, opus 6, 1979, revisie 1996 / Alexander Comitas
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2222 2100 3perc str
composition
Barcarola fantastica : per orchestra, 1962 / Hans Henkemans
Author(s):
Henkemans, Hans
(Composer)
Description:
Program note (English): The Barcarola Fantastica was the result of a commission received on the occasion of the centenary of the Northern Philharmonic Orchestra, Groningen, The Netherlands.
The composition has been scored for normal large orchestra, to wich has been added an alto-flute as only unusual instrument. On the steady rhythms of 6/8 and 9/8 beats -the rhythms of the Barcarola, the Venetian gondola-song- the composition develops as a fantasia on the two principal motives of themes, the first of which is heard, after some introductory bars, in the flute and alto-flute; the second, immediately following upon the first, is played unisono by 'cellos and bass-clarinet.
It is in no way important to try and follow the formal and technical developments in order to appreciate the composition. A thorough-going elucidation would, therefore, seem redundant.
The only aspect of the structure, worth mentioning, is perhaps the relation between the rhythm pattern and the "undulating" course of the dynamics: the composition might, without much effort, be subdivided into five dynamic episodes, of which the the second and fourth are "summits", while the first, third and fifth proceed in a sound-volume not exceeding mezzo-piano.
All other, more artistic observations, are left to the listener, guided by his own fantasy and intuition. - HANS HENKEMANS