composer

Keuris, Tristan

General: Tristan Keuris (Amersfoort, 3 Oct 1946 - Amsterdam, 15 Dec 1996) was one of the leading Dutch composers of his generation. Education: As a child, Tristan Keuris wanted to imitate ...

related works

Movements : for orchestra, (1981) / Tristan Keuris

Genre: Orchestra
Subgenre: Orchestra
Instruments: 2fl fl(pic) 2ob ob(eh) 3cl cl-b 2fg fg(cfg) 4h 3trp 3trb tb timp 4perc hp str

Symphony No 1 : for orchestra, opus 26, 2004 / Marijn Simons

Genre: Orchestra
Subgenre: Orchestra
Instruments: pic fl fl(pic) 2ob eh 2cl cl-b 2fg fg-cb 2sax 4h 4trp 3trb tb 6perc 2hp pf str

Confetti musicali : per orchestra / Jan Mul

Genre: Orchestra
Subgenre: Orchestra
Instruments: 2222 2220 timp perc hp str

Lustobject : voor kamerorkest, 1979, (revisie 1980) / Paul Termos

Genre: Orchestra
Subgenre: Orchestra
Instruments: 2fl(pic) fl 3cl ob(eh) 2fg sax-s h 2trp 2trb pf str(14.6.4.1.)

 

composition

Movements : for orchestra, (1981) / Tristan Keuris

Publisher: Amsterdam: Donemus, 1983
Publisher's number: 03934
Genre: Orchestra
Subgenre: Orchestra
Instruments: 2fl fl(pic) 2ob ob(eh) 3cl cl-b 2fg fg(cfg) 4h 3trp 3trb tb timp 4perc hp str
Remarks: In opdracht van het Amsterdams Fonds voor de Kunst t.g.v. het 90-jarig jubileum van het Concertgebouw. - Cop. 1981. - Tijdsduur: ca. 25'
Duration: 25'00"
Status: fully digitized (real-time delivery)

Description:
Program note (English): (Première: 24-10-1981 - The Hague - Concertgebouworkest, Bernard Haitink, conducting) - Movements consists of four parts, four 'movements' for orchestra. Four parts don't make a symphony. The work has perhaps the outlines but not the contents of a symphony (.......). I try to allow the orchestra to sound in its most 'natural' way. Usage of may short rests create light and space which allows you to hear everything clearly. Therefore no long brass chords that quiets the orchestra in greyness. Short accents, which allow the other voices to remain heard, is a sort of type of valve in which I use (.......) Stravinsky has been an example for me in many respects. But as far as instrumentation goes, the nineteenth century has much to offer: Berlioz, Mahler. - TRISTAN KEURIS

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