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composition

Concertino : for harp and orchestra / Leo Smit

Publisher: Amsterdam: Donemus, 2001
Publisher's number: 03783
Genre: Orchestra
Subgenre: Harp and orchestra
Scoring: 2222 2220 timp perc str hp-solo
Remarks: This publication was realised with financial support from the VSB-fonds. Dedicated to Mrs Rosa Spier. First performance by the Concertgebouw Orchestra conducted by Eduard van Beinum, with Mrs Rosa Spier, harp at the Amsterdam Concertgebouw on 25 February 1934. The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/ Stemra and the Ministry of Education, Culture and Science.
Duration: 17'45"
Year of composition: 1933
Status: fully digitized (real-time delivery)

Other authors:
Leo Smit Stichting (Curator)
Smit, Leo (Composer)
Contains:
Allegro
Lento
Scherzando
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

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