related works
Variaties op een Uilenspiegelthema / door 11 Nederlandse componisten
Genre:
Orchestra
Subgenre:
Violin and orchestra
Scoring:
3222 4330 timp perc (hp ad lib.) str 2vl-solo
Musica per orchestra : 1965-'66 / Kees van Baaren
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl fl(pic) fl-a 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp 3perc vibr mar cel pf hp str
Irish symphony : for orchestra / Rudi Martinus van Dijk
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl fl-a 2ob eh 3cl cl-n 2fg cfg 4h 3tpt 3trb tb-b euph timp perc hp pf str
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players); Orchestra
Scoring:
1111 1111 2perc hp pf(cel) 2vl vla vc cb / str
composition
Symfonie Nº 4 : 1954 / Hendrik Andriessen
Author(s):
Andriessen, Hendrik
(Composer)
Contains:
1. Molto grave e energico
Andante sostenuto
Finale
Description:
Program note (English): [Première: 8 december 1954 - Den Haag - Residentie Orkest, Willem van Otterloo, conducting] - The symphony has a cyclical structure. Three distinguished movements are controlled by the main theme, exposed by the strings at the beginning of the work. Although this theme undergoes much rhythmic and dynamic change, it remains intact as a melody; in a certain way it is the cantus firmus of the symphony. That this theme consists of twelve tones does not mean that it has been written in the so-called 12-tone system; this music is based on very other foundations. From the tonal and harmonious possibilities of the main theme the extensive development materializes from the first movement. Under the stormy clouds of an introduction the expressions of later melodies can be recognised. The development actually starts off with the allegro. The second movement is divided between two slow movements by a contrapuntal capriccio, which begins with the main theme in the bassoon. At the beginning of the third movement, the finale, several intervals from the main theme seem to break the fixed line of the melody. It becomes clear however from the development and the conclusion that the theme, in spite of the lighter temperament in this movement, remains secure between the released forces. - HENDRIK ANDRIESSEN