related works

Ramasasiri : for soprano and five instrumentalists, (1968) / Joep Straesser

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr fl 2perc vibr(mar) pf(cemb)

Spectrum a 4 : Quartet for flute, oboe, marimba and piano / Sipke Hoekstra

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: fl ob mar pf

8 Hats : for saxophone ensemble and two pianos / Chiel Meijering

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: 2pf 2sax-s 2sax-a 2sax-t sax-b sax-bss

Discours sur la délivrance : for amplified cello, amplified piano, and amplified vibraphone / Alexandre Rabinovitch-Barakovsky

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: vc vibr pf

 

composition

Encounters : bass clarinet, percussion, 1973, second version 1975 / Joep Straesser

Publisher: Amsterdam: Donemus, cop. 1973
Publisher's number: 03213
Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: cl-b 6perc(pf)
Remarks: Voor basklarinet en 6 slagwerkers. - Opgedragen aan Harry Sparnaay en Hubert Soudant. - Met financiële steun van de stad Amsterdam. - Tijdsduur: ca. 12'
Duration: 12'00"
Number of players: 7
Year of composition: 1973
Status: not yet digitized (expected delivery time 14 days)

Author(s):
Straesser, Joep (Composer)
Description:
Program note (English): In order to understand the intention of this piece, for which various interpretations are possible according to the differences in mental inclination and musicality of the audience, ears, not eyes are needed. The piece should not be read, but listened to. Contrary to the listener, the reader can determine his own tempo and reread a fragment. Therefore new pieces should be performed several times, either at the same concert or at the following one, so that the listener once again hears the piece. When it is a good piece (composer's activity) and the listener gradually succeeds in following the musical mental process (listener's activity), he will have conquered a new world; communication will have taken place. And only then listeners can explain the piece to one another bringing out the different paths they have found in the musical landscape. In this confrontation the composer can function as listener. - JOEP STRAESSER

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