related works

Alliages no. II : (structures mobiles), per flauto, clarinetto, tromba, corno, viola, violoncello, arpa, percussione, 1964 / Joep Straesser

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: fl cl h trp perc hp vla vc

Three perspectives on a musical history : for oboe (or other wind instrument), violin and violoncello / Rokus de Groot

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: ob vn vc

Souvenirs que nous portons: L'Introspection : pour hautbois, cor anglais et piano / Maria Nikolić

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: ob eh pf

Cantique pour Orfeo : for baryton, vibraphone, piano and celesta / Alexandre Rabinovitch-Barakovsky

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Scoring: bar vibr pf cel

composition

Encounters : bass clarinet, percussion, 1973, second version 1975 / Joep Straesser

Author(s):
Straesser, Joep (Composer)
Description:
Program note (English): In order to understand the intention of this piece, for which various interpretations are possible according to the differences in mental inclination and musicality of the audience, ears, not eyes are needed. The piece should not be read, but listened to. Contrary to the listener, the reader can determine his own tempo and reread a fragment. Therefore new pieces should be performed several times, either at the same concert or at the following one, so that the listener once again hears the piece. When it is a good piece (composer's activity) and the listener gradually succeeds in following the musical mental process (listener's activity), he will have conquered a new world; communication will have taken place. And only then listeners can explain the piece to one another bringing out the different paths they have found in the musical landscape. In this confrontation the composer can function as listener. - JOEP STRAESSER