related works
Le café de nuit : for orchestra / Jan-Peter de Graaff
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b 4h 3tpt 2trb trb-b tb timp 3perc hp pf cel str
Genre:
Orchestra
Subgenre:
Saxophone and orchestra
Scoring:
4444 4441 ham.org 2pf str 4sax-solo
Kientzyphonie (Symphony N° 4) : for saxophone(s) and large harmonic orchestra / Luc Brewaeys
Genre:
Orchestra
Subgenre:
Saxophone and orchestra
Scoring:
sax-solo 2picc 4fl(picc) 2ob eh 2fg 19cl 2cl-b 2sax-s 2sax-a 2sax-t 2sax-bar sax-bass 4h 3tpt 3trb 2bar/euph tb-b tb-cb 2db timp str
Concerto : for saxophone quartet and orchestra / Jo van den Booren
Genre:
Orchestra
Subgenre:
Saxophone and orchestra
Scoring:
3333 4431 timp 3perc str 4sax-solo
composition
Concerto Nº 6 "Métropolitain" : for saxophone quartet and orchestra / Jan-Peter de Graaff
Other authors:
Graaff, Jan-Peter de
(Composer)
Description:
Concerto no.6 “Metropolitain” is a concerto in two contrasting movements describing the feeling of living in an urban environment, where everything seems to be built to guide and transport humanity in such a way that maximum efficiency in such a way that there is no real distinction between ‘inside’ and ‘outside’ anymore. However, the desire to find beauty, to live and to play is of such importance to human survival that when people subvert the efficiency into something beautiful or something playful, one can ask oneself the question: where lies the border between culture and nature within an urban environment? This piece tries to ask this question in a musical way.
In the first movement, the static, concrete nature of a business district is slowly transformed into shapes and forms that seam to break out in waves, lines and colours in an almost dreamlike state, where the
sounds of birds and reptiles are emerging from the saxophone quartet. The second movement is inspired by Line 9 of the Paris Metro, that frequently is being used by ‘train surfers’ to get a good view of the Eiffel Tower, crossing the Seine at 80 km/h, chased by the gendarmerie.
Jan-Peter de Graaff