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Genre: Vocal music
Subgenre: Voice solo
Scoring: zang

Symfonie in C : voor orkest, 1980, revisie 2005 / Iman Soeteman

Genre: Orchestra
Subgenre: Orchestra
Scoring: 3223 4231 timp 2perc str

Symphony Nº 3 : for orchestra / Marijn Simons

Genre: Orchestra
Subgenre: Orchestra
Scoring: 2pic fl 2ob eh 2cl cl-b 2fg cfg 5h 3trp 3trb tb 4perc hp pf cemb str

Ahnung des Endes : voor koor en orkest, 1985 / Chiel Meijering

Genre: Orchestra
Subgenre: Orchestra; Viola and orchestra; Mixed choir and orchestra
Scoring: I-IV-VI: 3333 8431 4perc 2hp pf(cel) str II: 3333 8431 4perc 2hp pf(cel) str vla-solo III-V: GK4 3333 8431 4perc 2hp pf(cel) str

composition

Jigsaw : Fantasia Concertante for piano and orchestra / Nestor Taylor

Publisher's number: 21857
Genre: Orchestra
Subgenre: Orchestra
Scoring: pf-solo 2fl(picc) 2ob 2cl 2fg 4h 2tpt 3trb tb timp 4perc 2hp str
Remarks: Dedicated to Christos Papageorgiou. The world premiere was given on 11.10.2013 at the Odessa Philharmonic Grand Hall with Georgiy Kozhukhar (piano) and the Odessa Philharmonic conducted by Myron Michailidis. The second performance took place at the Municipal Theatre of Piraeus on 4.10.2016, with Christos Papageorgiou as soloist and the Greek National Radio Orchestra conducted by Tasos Symeonides, whereas the same conductor presented the concerto with the Ploiesti Philharmonic on March 23, 2023, at the Ion Baciu Hall, with celebrated soloist, Ioana-Maria Lupascu.
Duration: 8'00"
Year of composition: 2008
Status: fully digitized (real-time delivery)

Author(s):
Taylor, Nestor (Composer)
Description:
‘Jigsaw’ is a short piano concerto in the form of a Konzertstück, originally intended as a birthday present for my friend and colleague, Christos Papageorgiou. It has a playful yet dynamic character and acts as a portrait in that it alludes to the different styles and moods that characterise Christos. The compositional ideas are an eclectic mix of original motifs and borrowed material, pieced together meticulously, as in a jigsaw puzzle. They consist mostly of very brief references to piano concertos such as Schostakovich’s 2nd concerto, Adinsell’s ‘Warshaw Concerto’, and Britten’s Op. 13 in the form of a few chords, a short bravura passage, or some figuration, or even just a texture, fleetingly appearing either in direct quotation or, in some cases, free association.
Nestor Taylor

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	Download as PDF (B4), 163 pages	EUR 86.02
	Hardcopy, normal size (B4), 163 pages	EUR 143.38

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