composer
Though first known through his collaboration with director Barrie Kosky in the Opera Australia production of his The Ascension of Robert Flau (1990), Douglas Knehans (b. 1957) is perhaps best ...
related works
Black City : Concerto for violoncello and orchestra Nº 2 / Douglas Knehans
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
vc-solo dulc pf hp sopr(offstage) 2fl(picc) 2ob 2cl 2fg(cfg) 4h 2tpt 2trb-t trb-b tb timp 3perc str
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
bar 1032 4000 str
Concerto : pour une voix soprano, saxophone alto et piano avec orchestre / [Jacques Beers]
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
sopr 1111 sax-a 1110 pf str
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
sopr 1111 1000 timp pf str
composition
Cloud Ossuary : Symphony Nº 4 for soprano and orchestra / Douglas Knehans; words by Katarina Knehans
Other authors:
Knehans, Katarina
(librettist)
Description:
Cloud Ossuary began as a setting of my daughter’s riveting and poignant poem Bones and All. When I first read this work, I was seized with an immediate desire to set it to music. So, almost as immediately I did indeed get to work on it.
The Ossein Cage, composed after the two movements that follow it, uses the same harmonic architecture as both subsequent movements, while Breathe Clouded is actually an inverted and compressed version of Bones and All. Thus, the whole of Cloud Ossuary sits as three different guises of the same material and structural approach, though with clear and dramatically different surfaces.
Douglas Knehans