related works

Fog Shadows : for mezzo-soprano and piano / Douglas Knehans

Genre: Vocal music
Subgenre: Voice and piano
Scoring: m-sop pf

Fruit of Desire : for flute (piccolo) and symphony orchestra / Chiel Meijering

Genre: Orchestra
Subgenre: Flute and orchestra
Scoring: fl/picc-solo 3fl(pic) 3ob(eh) 2cl cl-b 4h 4trp 4trb tb timp perc mar glock vibr pf hp str

¿Te acuerdas? Concerto Nº 2 : for flute and orchestra / Michael Fine

Genre: Orchestra
Subgenre: Flute and orchestra
Scoring: fl-solo 2fl 2ob 2cl 2fg 2h 2tpt timp str

Concert : voor dwarsfluit en orkest / Herman Strategier

Genre: Orchestra
Subgenre: Flute and orchestra
Scoring: fl-solo ob cl fg 2h timp perc hp str

composition

Tempest : Concerto for flute and orchestra / Douglas Knehans

Other authors:
Knehans, Douglas (Composer)
Description:
The title of this work refers to rough wind. When I was approached me about a new flute work the idea of a virtuosic wind player set my imagination to types of crazy, unrestrained wind. This led me to look into the natural occurrences of wild, unpredictable wind patterns around the world. This led in turn to the titles of the three movements: Ostro the traditional name of the southerly wind in the Mediterranean sea; Mistral, a cold northerly from central France and the Alps to Mediterranean–this movement I have also allied to the notion of a type of funeral march, hence the title Mistral… Funerailles with the cold wind perhaps summoning the notion of death and impermanence. Finally, the last frantic and virtuosic movement is titled Etesian which references a strong, dry north wind of the Aegean Sea which is most of the time a good steady sailing wind. The well-contained and metrical virtuosity of this movement seems to align with this welcome and sustaining wind that is good for travel.
In artistically interpreting all of these types of global wind patterns I have tried to invest a dramatic and virtuosic element to the corresponding wind music. I was asked for a piece without restrictions and so a concerto seemed the obvious vehicle for the soloist’s awesome technical power and completely beautiful musicianship. I am extremely fortunate to have Gareth Davies, principal flute of the London Symphony Orchestra, as the soloist for this work.
Douglas Knehans