composer

Knehans, Douglas

Though first known through his collaboration with director Barrie Kosky in the Opera Australia production of his The Ascension of Robert Flau (1990), Douglas Knehans (b. 1957) is perhaps best ...

related works

Soar : Concerto for violoncello and orchestra Nº 1 / Douglas Knehans

Genre: Orchestra
Subgenre: Cello and orchestra
Instruments: vc-solo 2fl(picc) 2ob 2cl 2fg 2h tpt trb-b tb timp perc hp str

Melomotion : concerto for orchestra, 1990, revision 2003 / Ernst Oosterveld

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Quatre pas de deux : für Flöte und Orchester, Opus 30, (1972) / Ton de Kruyf

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Instruments: 0000 2220 4perc cel g 2hp man cemb pf str(8.8.6.6.4.) fl-solo

Suite per flaute solo : e per orchestra di [i.e. da] camera, (1937) / Oscar van Hemel

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composition

Tempest : Concerto for flute and orchestra / Douglas Knehans

Publisher's number: 21309
Genre: Orchestra
Subgenre: Flute and orchestra
Instruments: fl-solo 2fl(picc) ob eh cl cl-b fg cfg 2h tpt trb trb-b tbb timp 2perc hp str
Remarks: Dedicated to Gareth Davies
Duration: 20'00"
Year of composition: 2014
Status: fully digitized (real-time delivery)

Description:
The title of this work refers to rough wind. When I was approached me about a new flute work the idea of a virtuosic wind player set my imagination to types of crazy, unrestrained wind. This led me to look into the natural occurrences of wild, unpredictable wind patterns around the world. This led in turn to the titles of the three movements: Ostro the traditional name of the southerly wind in the Mediterranean sea; Mistral, a cold northerly from central France and the Alps to Mediterranean–this movement I have also allied to the notion of a type of funeral march, hence the title Mistral… Funerailles with the cold wind perhaps summoning the notion of death and impermanence. Finally, the last frantic and virtuosic movement is titled Etesian which references a strong, dry north wind of the Aegean Sea which is most of the time a good steady sailing wind. The well-contained and metrical virtuosity of this movement seems to align with this welcome and sustaining wind that is good for travel.
In artistically interpreting all of these types of global wind patterns I have tried to invest a dramatic and virtuosic element to the corresponding wind music. I was asked for a piece without restrictions and so a concerto seemed the obvious vehicle for the soloist’s awesome technical power and completely beautiful musicianship. I am extremely fortunate to have Gareth Davies, principal flute of the London Symphony Orchestra, as the soloist for this work.
Douglas Knehans

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Product Description Price/piece Count
Score Download to Newzik (A3), 48 pages EUR 29.08
Download as PDF (A3), 48 pages EUR 34.90
Hardcopy, normal size (A3), 48 pages EUR 58.17
Hardcopy, study size (A4), 48 pages EUR 39.40