related works
Unfinished Earth : Symphony Nº 3 for large orchestra / Douglas Knehans
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b 2fg cfg 4h 4tpt 2trb-t trb-b tb timp 3perc pf hp str
Six concertos, opus V / edited by Robert L. Tusler, Willem de Fesch
Genre:
Orchestra
Subgenre:
Flute and string orchestra; Violin and string orchestra
Scoring:
str bc 2fl-solo : str bc vl-solo
Rhapsodie pour violon et ensemble : opus 21, 1994 / Arne Werkman
Genre:
Orchestra
Subgenre:
Violin and large ensemble; Violin and string orchestra
Scoring:
cemb 6vl 2vla 2vc cb vl-solo
Concert voor strijkorkest en viool solo : (1970-'71) / Robert Dispa
Genre:
Orchestra
Subgenre:
Violin and string orchestra
Scoring:
str vl-solo
composition
... mist, memory, shadow... : for violin and strings / Douglas Knehans
Other authors:
Knehans, Douglas
(Composer)
Description:
"…mist, memory, shadow…" is a short elegiac work commemorating a triumvirate of things I consider iconically related to Tasmanian musical heritage.
First of all, mist stands centrally in the profound effect the environment exerts upon all Tasmanian musicians – its quiet, unrelenting and strong presence that seems to yield to neither time nor the modern world. Environment seems to exert an influence on all Tasmanian artists to draw them deeper into the timeless mysteries of place and our presence in that place.
Memory is linked with this, since the still environment of Tasmania’s natural wilderness seems to catalyse a reflection on the present and how this is contextualised within the past, and by implication also the future.
Shadow refers to both the incredible natural light of Tasmania but also the long ‘shadow’ cast by Jan Sedivka and the TSO on this very special place and the musical art that is borne and takes place here.
"…mist, memory, shadow…" is thus a kind of still elegy that gently reflects on place and people with a central section that is more assertive and keyed to the passions so necessary to establish art and music in this fragile, timeless island.
The work is dedicated to my good friend MA Jun-Yi and the tremendous TSO strings in honour of the 90th birthday of another good friend, master musician Jan Sedivka.
Douglas Knehans