related works
Album (Volume 1) : for cello en piano
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Cello and keyboard instrument
	
			Scoring: 
		
		vc pf
	
Vectorial : for six wind instruments and piano, 1982/83, (revision 1987) / Jan Vriend
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Wind ensemble and keyboard instrument (3-8 players); Wind ensemble and keyboard instrument (3-8 players)
	
			Scoring: 
		
		ob cl cl-b fg 2trp pf/pf4h
	
Vroeger waren ze er erg op tegen : voor piano en zes blazers, 1989, revisie 1990 / Chiel Meijering
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Wind ensemble and keyboard instrument (3-8 players)
	
			Scoring: 
		
		fl(pic) eh cl cl-b fg h pf
	
Kwintet : (preludium en fuga), voor piano, hobo, klarinet, hoorn en fagot / Joop Voorn
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Wind ensemble and keyboard instrument (3-8 players)
	
			Scoring: 
		
		ob cl fg h pf
	
composition
				De volharding : = (Perseverance), for piano and wind instruments, (1972) / Louis Andriessen
			
					
										Other authors:
									
									
									Andriessen, Louis
									(Composer)
								
							
							Description:
						
						
						Program note (English): With the piece 'de Volharding' I set out to break down a few musical barriers. That was also the intention of the so-called Inclusive Concerts that were organized in Amsterdam in the early 1970s. These were free concerts lasting 8 or 9 hours in which all sorts of music were performed: avant garde, medieval music, pop, jazz, electronic music, and so forth. With this formula we hoped to break through the exclusivity of the various concert genres and their audiences. While working on 'de Volharding' I was already aware that the 'democratizing' of music was not just about organizing concerts, but also about the music itself. The work 'de Volharding' thus has just as much to do with avant garde music as with folk music elements, like persistent rhythms and a freer interpretation by the performer. That comes from the fact that the work's content, as well as the way in which the piece is performed, is ultimately influenced by the players themselves. - LOUIS ANDRIESSEN