composer
Leo Smit came from a mixed Sephardic Ashkenazi family. His father, Rephaël Smit, was a wealthy shoe merchant descending from the Ashkenazi Smit family. The other three grandparents, two of ...
related works
Saxofoonkwartet / Leo Smit; arranged by Bob Zimmerman
Genre:
Chamber music
Subgenre:
Saxophone
Instruments:
sax-s sax-a sax-t sax-bar
Ombres : voor symfonieorkest, 1960/1961 / Ton de Leeuw
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
fl(pic) fl(fl-a) 2ob ob(eh) 2cl cl-b 2fg sax-a 2h 3trp 2trb tb timp 4perc cel(pf) hp g str
Symphonie no. 1 : opus 21 / Rudolf Koumans
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
2222 2200 timp perc hp str
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
2222 4230 timp perc xyl pf str
composition
Suite : for orchestra / Leo Smit; free arrangement and orchestration by Godefroid Devreese and Bob Zimmerman
Other authors:
Devreese, Godefroid
(orchestrator)
Zimmerman, Bob
(orchestrator)
Contains:
Prélude (c. 3‘): Bob Zimmerman
Forlane (c. 3‘): Godefroid Devreese
Rondeau (c. 4’15"): Godefroid Devreese
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.