related works
Divertimento : for piano four-hands / Leo Smit
Genre:
Chamber music
Subgenre:
Piano 4 hands
Scoring:
pf4h
Symphony no. 1 (Diana) : voor orkest / Cornelis Dopper
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl(picc) 2ob ah 2cl cl-b fg cfg 4h 3trp 3trb tb timp perc hp str
Het wonderlijk uur : suite no. 1, voor orkest / van Jurriaan Andriessen
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4330 timp perc pf str(vc cb)
Cristalli di Tempo : for orchestra / Maximiliano Amici
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl 2bsn 4fh 2tpt 2trb trb-b tb timp perc hrp pf str
composition
Suite : for orchestra / Leo Smit; free arrangement and orchestration by Godefroid Devreese and Bob Zimmerman
Other authors:
Devreese, Godefroid
(Orchestrator)
Leo Smit Stichting
(Curator)
Zimmerman, Bob
(Orchestrator)
Smit, Leo
(Composer)
Contains:
Prélude (c. 3‘): Bob Zimmerman
Forlane (c. 3‘): Godefroid Devreese
Rondeau (c. 4’15"): Godefroid Devreese
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.