composer
Leo Smit came from a mixed Sephardic Ashkenazi family. His father, Rephaël Smit, was a wealthy shoe merchant descending from the Ashkenazi Smit family. The other three grandparents, two of ...
related works
Forbidden Music Regained : Volume 2
Genre:
Unknown
Symphony II : (opus 30), for orchestra, (1983) / Peter Schat
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
pic 2fl fl(fl-a) 3ob eh 3cl cl-b 4sax 4h 3trp 3trb 2tb 5perc 2hp str
Analog Intelligence : for orchestra / Brendan Faegre
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
picc 2fl 2ob eh 2cl cl-b 2fg cfg 4h 3tpt 2trb trb-b tb timp 4perc pf str
Praembulum e variazioni per orchestra (d'amatori) / Henk van der Vliet, 1966; rev. 1998
Genre:
Orchestra
Subgenre:
Orchestra
Instruments:
2fl 2ob 2cl 2fg 2h 2trp pf str
composition
Suite : for orchestra / Leo Smit; free arrangement and orchestration by Godefroid Devreese and Bob Zimmerman
Other authors:
Devreese, Godefroid
(orchestrator)
Zimmerman, Bob
(orchestrator)
Contains:
Prélude (c. 3‘): Bob Zimmerman
Forlane (c. 3‘): Godefroid Devreese
Rondeau (c. 4’15"): Godefroid Devreese
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.