related works
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Die Ros' ist ohn warum : for 4-part mixed choir / Rokus de Groot; text Angelus Silesius
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
The First Book of Motets : for 5-6 voices / Franz Sales; transcribed and edited by Cees Wagemakers
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Noli me tangere : for mixed choir a cappella / Aleksandra Chmielewska
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
composition
Gospel Motets (Volume I) : for 4, 5, 6 and 8 voices / Various composers; transcribed and edited by Cees Wagemakers
Other authors:
Wagemakers, Cees
(Editor)
Anonymous (Early Music)
(Composer)
Contains:
Martin Peudargent: Te Deum Patrem (5’15”)
Dominique Phinot: Sancta Trinitas (3’)
Thomas Crequillon: Zachæe festinans descende (6’15”)
Anon.: Vidi Ierusalem (5’45”)
Francesco Lupino: Domus mea orationis (3’15”)
Johannes de Hollande: Benedic Domine domum istam (6’45”)
Pierre de Manchicourt: Fundata est domus (5’30”)
Pierre de Manchicourt: Vere Dominus est in loco isto (5’30”)
Petrus Messens: In dedicatione huius templi (6’15”)
Johannes Lupi: Benedictus Dominus Deus Israel (3’45”)
Dominique Phinot: O altitudo divitiarum (4’15”)
Cornelius Canis: Gloria tibi, Trinitas (4’15”)
Gioseffo Zarlino: Nemo potest venire ad me (6’30”)
Cipriano de Rore: O altitudo divitiarum (4’30”)
Antoine de Févin: Sancta Trinitas (3’15”)
Pierre de la Rue: Pater de coelis Deus (11’15”)
Jachet de Mantua: Sancta Trinitas (4’15”)
Description:
Apart from many beautifully calligraphed choirbooks the Bavarian State Library (Bayerische Staatsbibliothek, Munich) contains a variety of part-books from the 16th century. The authors in this edition were mostly Franco-Flemish composers, and most of them not very well remembered these days. Some of the names we see regularly in today’s repertoire, like De Manchicourt, Zarlino, Crequillon, Arcadelt, Clemens non Papa, De la Rue, Gombert and Vaet. But some names are rare or even unheard of: Du Pont, Lupino, Junckers, Comes, Jordan. The more surprising are their contributions to this album. Although more or less written in the same style of the mid-16th century of Flanders, there are jewels of pleasant sounding polyphony among them.
Cees Wagemakers, 2019