related works
Red, white and blues : Dutch new blues pieces, for piano, volume 1
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Piano
	
			Scoring: 
		
		pf
	
Orchesterstück : 1975 / Jacques G. Goosen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		4444 6440 timp 7perc 2hp str
	
In Ecclesiis A 40 : Version for symphonic wind band / Daan Manneke
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		2fl(pic) 2ob(ca) fg 3cl bcl 2sax-b sax-s 2sax-a 2sax-t 4hn 2tpt hn trb tb 3trb btrb 3bar 2tb chimes tam-tam
	
Onderweg : voor orkest, (1973) / Misha Mengelberg
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		2223 2220 4perc str (moulinette musicale ad lib.)
	
composition
				Rise Again : for two bassoons and symphony orchestra / Vanessa Lann
			
					
										Other authors:
									
									
									Lann, Vanessa
									(Composer)
								
							
							Description:
						
						
						A more prominent role for the bassoon - not hidden within, but standing in front of, the orchestra - that is what the Dutch Bassoon Network wished to create through its commission to Vanessa Lann to compose a concerto for two bassoons and orchestra. And with the unique goal of creating a work primarily intended for amateur bassoonists. The Dutch Performing Arts Fund provided the financial support for this commission. The first performance will take place on Sunday, 19th November 2017, featuring Dick Hanemaayer and Martine Reurings as soloists, along with the Van Wassenaer Orchestra under the direction of Benjamin Broers.
Concertos for two bassoons and orchestra have existed for some time, but this work is unique: the sound combinations between the two bassoons are totally new, as are the timbres within the orchestra. The work begins with the two bassoon soloists, the first bassoon standing before the orchestra, and the second bassoon answering from within the ensemble. Their tones intertwine in short garlands, followed by repeated rhythms that will return in the second movement to give an important impulse to the music. With a leap of a minor ninth the bassoonists land on the beloved low C. That’s how the first movement begins. And yes, after the first movement the title of the piece will be celebrated, quite literally. But “Rise” (as a piece and as a project) is unique for other reasons. From the very start the main goal was to give as many players as possible the opportunity to perform the work. Special arrangements have also been made with the publishing house Donemus to make the work available to orchestras inside and outside the Netherlands. The two bassoonists from each orchestra performing the piece will have their hands full with the notes and rhythms. Even though the piece does not contain the virtuoso passages and cadenzas of the typical classical solo concerto, the solo parts are still demanding in other ways. In the second movement the music speeds up, with repeated rhythmic patterns. The third movement brings the sounds, tones and intervals from the first movement back into the picture. And in the fourth movement the rhythmic interplay within the entire orchestra leads to a surprising conclusion…