related works

Hum away, hum away, strings! (Zujte strune...) : A metamorphosis to themes from Mozart's opera 'The Magic Flute', for symphony orchestra / Isidora Žebeljan; on themes by W.A. Mozart

Genre: Orchestra
Subgenre: Orchestra
Scoring: picc fl 2ob 2cl 2fg/cfg 4h 2tpt 2trb tb timp perc pf str

From the Chinese restaurant : a symphonic song cycle, for mezzo-soprano, alto saxophone, accordion and percussion, 1989 / Joep Straesser

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr-m sax-a perc acc

De reis (Brénaind, Part 2) : for soprano, tape and large ensemble / Renske Vrolijk; text: Jacob van Maerlant

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr 1021 sax-a 0000 perc hp 2pf 2vl vla vc cb tape

Internetlied : voor sopraan, fluit/piccolo, mandoline, gitaar en harp, 1997 / tekst: Ronald Groenendijk, Shai Lifshitz

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr fl(pic) man g hp

 

composition

Leonce and Lena (Leons i Lena) : Suite for oboe (doubling ocarina), percussion, piano, soprano, viola and contrabass / Isidora Žebeljan; lyrics by Georg Büchner

Publisher's number: 18357
Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr ob perc pf vla db
Duration: 10'00"
Number of players: 6
Year of composition: 1998/2011
Status: fully digitized (real-time delivery)

Author(s):
Buchner, Georg (Text writer/Librettist)
Zebeljan, Isidora (Composer)
Description:
Just as Georg Büchner reached for the structure of the old fairy tale in his drama Leonce and Lena, so Isidora Žebeljan looks to the sounds of Renaissance courts and squares in her suite in four movements (1998/2011), created from music she wrote for the Belgrade production of Büchner’s piece. The vocal and instrumental line-up, consisting of a soprano (mostly without lyrics), oboe, viola, double bass, percussion and piano (deputizing for a virginal or a zither), reminds one of a troupe of minstrels. There are also evocations of the forms of the forlana (Ouverture) and the slow menuet (The King). Yet, as well as this homage to the past, we can sense an unrestrained spirit coming through, as a response of the rhythmical wildness of today to that of a long time ago (Travelling). The last movement returns to the echo of former times in a duet for soprano and oboe (My Tired Footsteps).
Borislav Čičovački

Sheet Music
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